ESAD: Specialty Interpretation

Academic information

Optional mentions

Cinema and television

If you want to be film or television actor this is your specialty. The program proposes the in-depth exploration of your records and interpretative qualities to work your potential and address with maximum guarantees the access to the professional world. You will learn techniques to act in front of the camera and the stage, the Prepare castings and auditions. You will get in touch with directors and filmmakers, and during your training, you will generate audiovisual material and learn how to make your own videobook. The camera practices are also performed in association with other universities and specialized centers, with the desire to get in touch with future filmmakers and film directors.

Recommended specialty if you want to achieve a deep and quality interpretative training and if you have a special interest in exploring and discovering your qualities in front of the camera.

Musical theater

If you like to act, sing and dance this is your specialty. A very complete and eminently practical training where You will work the body and voice it and will train you as an actor and singer. The program includes singing classes, musical language, song interpretation, body work, dance and many other essentials to develop your instrument to the fullest. It is, without a doubt, the specialty that maximizes all your qualities and records, and makes a special one emphasize the sung voice.

Suitable for all those who feel passion for music, for which you want to be performers of musical theater or for those who may have dreamed of having one record race.

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Curriculum

No. of courses	No. of credits
4	240

Character	ECTS Credits
Basic shape	22
Mandatory form	185
Optional form	33
Total	240

Subjects	Crèdits ECTS	1r	2n	3r	4t	pdf
Character design	6	-	-	-	6	pdf
Drama	10	-	-	6	4	pdf
Aesthetics	6	-	-	6	-	pdf
History of the performing arts	8	4	4	-	-	pdf
History and theory of dramatic literature	12	6	6	-	-	pdf
Moviment	24	6	6	6	6	pdf
Music and song	19	17	2	-	-	pdf
Pedagogy	4	-	-	-	4	pdf
Practices of interpretation	22	9	6	7	-	pdf
Production and management	4	-	-	4	-	pdf
Artistic promotion	4	-	-	-	4	pdf
Systems of interpretation	44	12	12	12	8	pdf
Musical theater technician	29	-	12	13	4	pdf
Technique for cinema and television	29	-	12	13	4	pdf
Theory of entertainment and communication	6	-	6	-	-	pdf
End of career job	15	-	-	-	15	pdf
Oral expression	21	6	6	6	3	pdf
Total ECTS credits	240	60	60	60	60

Subjects

Prerequisites for enrollment

Having studied a subject does not imply having passed but yes, having enrolled.
Having passed a subject means having passed and passed.

Code / Subject	Semester		Card	Subject matter	Type	Mention	Hours	Crèdits	h / set.	Prerequisites for enrollment
FIRST YEAR
ESAD_0101 History of the performing arts 1	S1	S2	pdf	History of the performing arts	FB		100	4	2h	There are no prerequisites for enrollment.
ESAD_0102 History and theory of dramatic literature 1	S1		pdf	History and theory of dramatic literature	OB		75	3	2h	There are no prerequisites for enrollment.
ESAD_0103 History and theory of dramatic literature 2		S2	pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 2 It must also have been enrolled in the subject of "History and theory of dramatic literature 1.
ESAD_0104 Corporal knowledge techniques	S1	S2	pdf	Moviment	OB		150	6	TWOXXXXXXXXXXXXXXXXXX	There are no prerequisites for enrollment.
ESAD_0105 Individual sing 1	S1	S2	pdf	Music and song	OB		50	2	40 '	There are no prerequisites for enrollment.
ESAD_0106 Cant lab	S1	S2	pdf	Music and song	OB		100	4	1h30	There are no prerequisites for enrollment.
ESAD_0107 Musical language 1	S1	S2	pdf	Music and song	OB		150	6	1h30	There are no prerequisites for enrollment.
ESAD_0108 1 vocal technique	S1	S2	pdf	Music and song	OB		125	5	1h30	There are no prerequisites for enrollment.
ESAD_0109 Practices of interpretation 1	S1		pdf	Practices of interpretation	OB		112,5	4,5	2h + 2h	There are no prerequisites for enrollment.
ESAD_0110 Practices of interpretation 2		S2	pdf	Practices of interpretation	OB		112,5	4,5	2h + 2h	To enroll in the subject of Practices of interpretation 2 You must also have enrolled in the subject of Practices of interpretation 1.
ESAD_0111 1 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	There are no prerequisites for enrollment.
ESAD_0112 2 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 2 interpretation systems You must also have enrolled in the subject of 1 interpretation systems.
ESAD_0113 Oral expression and diction 1	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	There are no prerequisites for enrollment.
ESAD_0114 Oral expression and diction 2		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 2 It must also have been enrolled in the subject of "Oral expression and diction 1.
SECOND YEAR
ESAD_0201 History of the performing arts 2	S1	S2	pdf	History of the performing arts	FB		100	4	2h	To enroll in the subject of "History of the performing arts 2 It is necessary to have passed, previously,History of the performing arts 1.
ESAD_0202 Theory of show and communication 1	S1		pdf	Theory of entertainment and communication	FB		75	3	2h	There are no prerequisites for enrollment.
ESAD_0203 Theory of show and communication 2		S2	pdf	Theory of entertainment and communication	FB		75	3	2h	To enroll in the subject of Theory of show and communication 2 You must also have enrolled in the subject of Theory of show and communication 1.
ESAD_0204 History and theory of dramatic literature 3	S1		pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 3 it will be necessary to have passed, previously, History and theory of dramatic literature 1 i ofHistory and theory of dramatic literature 2.
ESAD_0205 History and theory of dramatic literature 4		S2	pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 4 It must also have been enrolled in the subject of "History and theory of dramatic literature 3.
ESAD_0206 1 body training	S1		pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "1 body training It will be necessary to have passed, previously, the subject of Body knowledge techniques.
ESAD_0207 2 body training		S2	pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "2 body training It must also have been enrolled in the subject of "1 body training.
ESAD_0208 Individual sing 2	S1	S2	pdf	Music and song	OB		50	2	30 '	To enroll in the subject of Individual sing 2 It will be necessary to have passed, previously, the subject of Individual sing 1..
ESAD_0209 Practices of interpretation 3	S1		pdf	Practices of interpretation	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 3 It will be necessary to have previously passed the subjects of Practices of interpretation 1 and from Practices of interpretation 2 i 1 and 2 Interpretation Systems
ESAD_0210 Practices of interpretation 4		S2	pdf	Practices of interpretation	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 4 You must also have enrolled in the subject of Practices of interpretation 3
ESAD_0211 3 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 3 interpretation systems It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0212 4 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 4 interpretation systems You must also have enrolled in the subject of 3 interpretation systems.
ESAD_0213 Oral expression and diction 3	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 3 must have previously taken and passed the subjects of 1 and 2 interpretation systems.
ESAD_0214 Oral expression and diction 4		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 4 It must also have been enrolled in the subject of "Oral expression and diction 3.
ESAD_0215 Interpretation of 1 songs	S1	S2	pdf	Musical theater technician	OP	Musical	150	6	3h	To enroll in the subject of "Interpretation of 1 songs It will be necessary to have previously passed the subjects of Cant lab, Musical language 1 and from Individual sing 1. And we must be admitted (by note) to the mention of Musical.
ESAD_0216 Musical language 2	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of Musical language 2 It will be necessary to have passed, previously, the subject of Musical language 1.
ESAD_0217 2 vocal technique	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of 2 vocal technique It will be necessary to have passed, previously, the subject of 1 vocal technique.
ESAD_0218 The actor in front of the 1 camera	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	150	6	3h	To enroll in the subject of The actor in front of the 1 camera It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0219 The actor in front of the 2 camera		S2	pdf	Technique for cinema and TV	OP	Cinema and TV	150	6	3h	To enroll in the subject of The actor in front of the 2 camera You must also have enrolled in the subject of The actor in front of the 1 camera.
THIRD YEAR
ESAD_0301 Theatrical production	S1	S2	pdf	Production and management	FB		100	4	2h	To enroll in the subject of Theatrical production It will be necessary to have previously passed all the credits of the subjects of *Basic Training* of first and second course.
ESAD_0302 Dramatic Analysis: Shakespeare	S1		pdf	Drama	OB		75	3	2h	To enroll in the subject of "Dramatic Analysis: Shakespeare it will be necessary to have passed, previously,History and theory of dramatic literature 3 i ofHistory and theory of dramatic literature 4.
ESAD_0303 Dramatic Analysis: Beckett		S2	pdf	Drama	OB		75	3	2h	To enroll in the subject of "Dramatic Analysis: Beckett It must also have been enrolled in the subject of "Dramatic Analysis: Shakespeare.
ESAD_0304 Aesthetics	S1		pdf	Aesthetics	OB		75	3	2h	To enroll in the subject of "Aesthetics It will be necessary to have previously passed the subjects of Theory of show and communication 1 and from Theory of show and communication 2.
ESAD_0305 Latest trends		S2	pdf	Aesthetics	OB		75	3	2h	To enroll in the subject of "Latest trends It must also have been enrolled in the subject of "Aesthetics.
ESAD_0306 3 body training	1S		pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "3 body training it will be necessary to have passed, previously,2 body training id '1 body training.
ESAD_0307 4 body training		S2	pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "4 body training It must also have been enrolled in the subject of "3 body training.
ESAD_0308 Practices of interpretation 5	S1		pdf	Practices of interpretation	OB		87,5	3,5	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 5 It will be necessary to have previously passed the subjects of Practices of interpretation 3 and from Practices of interpretation 4.
ESAD_0309 Practices of interpretation 6		S2	pdf	Practices of interpretation	OB		87,5	3,5	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 6 You must also have enrolled in the subject of Practices of interpretation 5.
ESAD_0310 5 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 5 interpretation systems It will be necessary to have previously passed the subjects of 3 interpretation systems and from 4 interpretation systems.
ESAD_0311 6 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 6 interpretation systems You must also have enrolled in the subject of 5 interpretation systems.
ESAD_0312 Oral expression and diction 5	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 5 it will be necessary to have passed, previously,Oral expression and diction 3 and from Oral expression and diction 4.
ESAD_0313 Oral expression and diction 6		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 6 It must also have been enrolled in the subject of "Oral expression and diction 5.
ESAD_0314 Individual sing 3	S1	S2	pdf	Musical theater technician	OP	Musical	50	2	30 '	To enroll in the subject of Individual sing 3 It will be necessary to have passed, previously, the subject of Individual sing 2.
ESAD_0315 Interpretation of 2 songs	S1	S2	pdf	Musical theater technician	OP	Musical	125	5	3h	To enroll in the subject of "Interpretation of 2 songs it will be necessary to have passed, previously,Interpretation of 1 songs, Musical language 2 and from Individual sing 2.
ESAD_0316 Musical language 3	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of Musical language 3 It will be necessary to have passed, previously, the subject of Musical language 2.
ESAD_0317 3 vocal technique	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of 3 vocal technique It will be necessary to have passed, previously, the subject of 2 vocal technique.
ESAD_0318 The actor in front of the 3 camera	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	125	5	3h	To enroll in the subject of The actor in front of the 3 camera It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera.
ESAD_0319 The actor in front of the 4 camera		S2	pdf	Technique for cinema and TV	OP	Cinema and TV	125	5	3h	To enroll in the subject of The actor in front of the 4 camera You must also have enrolled in the subject of The actor in front of the 3 camera.
ESAD_0320 1 camera practice	S1	S2	pdf	Technique for cinema and TV	OP	Cinema and TV	75	3	To determinate	To enroll in the subject of 1 camera practice It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera.
FOURTH YEAR
ESAD_0401 Pedagogy of the theater	S1	S2	pdf	Pedagogy	FB		100	4	2h	To enroll in the subject of Pedagogy of the theater It will be necessary to have previously passed all the credits of the subjects of *Basic Training* first, second and third courses.
ESAD_0402 Makeup		S2	pdf	Character design	OB		75	3	2h	To enroll in the subject of Makeup All credits (180 ECTS) of the first, second and third year subjects must have been previously passed.
ESAD_0403 Changing room		S2	pdf	Character design	OB		75	3	3h	To enroll in the subject of Changing room All credits (180 ECTS) of the first, second and third year subjects must have been previously passed.
ESAD_0404 Dramatology applied	S1		pdf	Drama	OB		100	4	3h	To enroll in the Dramatology applied All credits (180 ECTS) of the first, second and third year subjects will have to be previously passed, and they must also be enrolled in the subject of End of career work.
ESAD_0405 Scenic and scenic direction	S1		pdf	Staging	OB		150	6	3h	There are no prerequisites for enrollment.
ESAD_0406 Physical theater	S1		pdf	Moviment	OB		75	3	3h	To enroll in the subject of Physical theater It will be necessary to have previously passed all the credits of the subject matter of *Moviment* first, second and third courses.
ESAD_0407 Free creation practice		S2	pdf	Moviment	OB		75	3	3h	To enroll in the subject of Free creation practice You must also have enrolled in the subject of Physical theater.
ESAD_0408 7 / Audition interpretation systems	S1		pdf	Systems of interpretation	OB		200	8	3h + 3h	To enroll in 'the subject of Interpretation Systems 7 / Hearing Before completing all the subjects of the first, second and third courses, and having passed all the credits of the subject *Interpretation systems*
ESAD_0409 Oral expression and diction 7	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 7 All credits of the subject must be previously passed *Oral expression*
ESAD_0410 Casting and videobook		S2	pdf	Artistic promotion	OP	Musical / Cinema and TV	100	4	3h	To enroll in the "Casting and video book" course, you must first have taken all the subjects of the first, second and third courses and passed all the credits of the subject Interpretation Systems
ESAD_0411 Interpretation of songs 3 / Listen	S1		pdf	Musical theater technician	OP	Musical	100	4	3h	To enroll in the subject of "Interpretation of songs 3 / Listen Previously, the credits of the subjects must be passed: interpretation of 2 songs, 3 vocal technique, individual singing 3 and musical language 2, as well as all the credits of the subject *Interpretation systems*
ESAD_0412 2 camera practice	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	100	4	To determinate	To enroll in the subject of 2 camera practice It will be necessary to have passed, previously, the subject of 1 camera practice.
ESAD_0422 Final degree work_Interpretation		S2		Final work	TF		375	15	3h + 3h + 3h + 3h + 3h	To enroll in the subject of Final degree work_Interpretation must have previously passed all the subjects of Basic training i Mandatory first, second and third year.

Schedules and calendars

21 / 22_ ESAD General Calendar

21-22_ESAD_HORARIS INTERPRETATION 1st year

21-22_ESAD_HORARIS INTERPRETATION 2nd year

21-22_ESAD_HORARIS INTERPRETATION 3st year

21-22_ESAD_ SCHEDULES INTERPRETATION 4th - S1

21-22_ESAD_HORARIS INTERPRETACIÓ 4T - S2

Teaching team

Head of specialty: Josep Galindo

Director of Studies: Nuria Sánchez

Interpretation Practice Tutors: Barbara Becker, Tony Casla, Marta Galán i Carolina Llacher

Course tutors:

1st ESAD - Mariona Esplugues
2nd ESAD - Àngels Sánchez
3rd ESAD - Nuria Sánchez
4th ESAD - Josep Galindo

Júlia Barceló CV

312_Oral expression and diction 5A and 5B (Cat-Cast)

Àngels Bassas CV

211_Interpretation systems 3B

Barbara Becker CV

204_History and theory of dramatic literature 3A and B
205_History and theory of dramatic literature 4A and B
210_Practical practices 4
Shakespeare 's Dramatic Analysis

Laura Bernaus CV

213_Oral expression and diction 3A, B and C
409_Oral expression and diction 7A and B

Tony Casla CV

109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2A and B

Judit Colell CV

03_Acting for camera

Núria Corominas CV

304_Aesthetics A

Tony Corvillo CV

318_actor in front of the 3 camera

Mariona Esplugues CV

113_Oral expression and diction 1A, B and C
114_Oral expression and diction 2A, B and C
312_Oral expression and diction 5C
313_Oral expression and diction 6A and B
401_Pedagogy of theater A and B

Laia Espot

410_Casting and videobook_col 2 A and B

Alexandre Fons CV

111_Introduction systems 1A

Roberto Fratini CV

305_Latest Trends A

Angela Furquet CV

106_Laboratory of song C
108_Vocal technique 1A
208_Cant individual 2
216_Learn music 2
317_3 vocal technique

Marta Galán CV

308_Practical practices 5
309_Practical practices 6

Josep Galindo CV

3_Acting and direction
320_1 Camera Practitioner
404_Dramaturgia applied A
410_Casting and videobook 1
412_2 Camera Practitioner
422_TFC Int Group A

José Pedro Garcia CV

211_Introduction systems 3A
212_Introduction systems 4A

Daniela García CV

313_Oral expression and diction 6C (International)

Teresa García CV

104_Body knowledge techniques A, B and C
407_Free Creation Practice C

Sam Gillett CV

310_Interpretation systems 5B
311_Interpretation systems 6C

Cristina Goñi CV

207_Body Training 2A, B and C

Roger Guinot CV

317_3 vocal technique

Mireia Juárez CV

410_Casting and videobook A and B

Nuria Legarda CV

212_Interpretation systems 3A_Daulte
407_Free Creation Practice B
408_Interpretation systems 7 / Listening

Pablo Ley CV

102_History and theory of dramatic literature 1 A and B

Carolina Llacher CV

209_Practical practices 3

Marià Llop CV

212_Interpretation Systems 3B_Daulte
311_Interpretation systems 6A_Daulte
408_Interpretation Systems 7B Listening

Gustavo Llull CV

215_Interpretation of 1 songs
315_Interpretation of 2 songs
411_Interpretation of 3 songs

Carol Lopez CV

408_Interpretation Systems 7 A

Cristina Lügstenmann CV

408_Interpretation Systems 7 A

Ferran Madico CV

212_Introduction systems 4A

Viv Manning CV

105_Cant indv. 1
106_Laboratory of song C
108_Tech. vowel 1B
215_Interpretation of 1 songs
217_2 vocal technique
314_Cant indv. 3
411_Cant indv. Hearing

Mar Medina CV

104_Body knowledge techniques A, B and C
401_Pedagogy of theater A and B

Daniel Meyer

410_Casting and videobook A and B

Maria Ollé CV

406_Teatro físico A y B

David Pintó CV

315_Interpretation of 2 songs

Laia Piró CV

105_Cant individual 1
208_Cant individual 2

Carme Poll CV

212_Interpretation systems 3A_Daulte
310_Interpretation systems 5A_Daulte
311_Interpretation Systems 6C_Daulte

Mercè Puy CV

301_Theatrical production A

Montse Rodríguez CV

112_Introduction systems 2A
214_Oral expression and diction 4B and C
408_Interpretation Systems 7B / Listening

Irene Roqué

410_Casting and videobook 2A and B

Clara Sallago CV

105_Cant individual 1
208_Cant individual 2

Angels Sanchez CV

111_Interpretation systems 1C
112_Interpretation systems 2B
214_Oral expression and diction 4A
215_Interpretation of 1 songs
312_Oral expression and diction 5A and B
409_Oral expression and diction 7A and B

Nuria Sánchez CV

107_Musical language 1A and B
122_Learn music 1
316_Learn music 3
401_Pedagogy of theater B

Cristina Schmutz CV

405_Scene rating and direction

Elisabet Siles CV

402_Makeup
403_Video

Israel Solà CV

404_Dramaturgia applied B
422_TFC_Int. GROUP B

David Teixidó CV

211_Interpretation systems 3C
311_Introduction systems 6A
319_The 4 camera player

Marta Tirado CV

103_History and theory of dramatic literature 2A and B
303_Dramatic Analysis_Beckett A

Aina Torné CV

215_Interpretation of 1 songs
306_Body Training 3A and B
307_Body Training 4A, B and C
407_Free Creation Practice

Martí Torras CV

212_Interpretation systems 4C

Carla Torres CV

310_Interpretation systems 5B
311_Interpretation systems 6B
404_Applied Dramaturgy C
422_TFC_Int. GROUP C

Martina Tosticarelli CV

101_History and theory of dramatic literature 1A and B
202_Spectory and communication theory 1A and B
203_Spectory and communication theory 2A and B

Ferran Utzet CV

310_Introduction systems 5A

Alícia Verdés CV

111_Interpretation systems 1B
112_Interpretation systems 2C
218_The actor in front of camera 1A and B
219_The actor in front of camera 2A and B

Sadurní Vergés CV

201_History of the performing arts 2A and B

Marc Vilavella CV

ESAD: Specialty Interpretation

Academic information

Optional mentions

Cinema and television

Musical theater

Curriculum

Subjects

FIRST YEAR

SECOND YEAR

THIRD YEAR

FOURTH YEAR

Schedules and calendars

Teaching team

312_Oral expression and diction 5A and 5B (Cat-Cast)

211_Interpretation systems 3B

204_History and theory of dramatic literature 3A and B 205_History and theory of dramatic literature 4A and B 210_Practical practices 4 Shakespeare 's Dramatic Analysis

106_Singing laboratory B 108_Vocal technique 1A 208_Cant individual 2

105_Cant individual 1 208_Cant individual 2

101_History of the performing arts 1A and B 122_Learn music 1

410_Casting and videobook_col 3 A + B

213_Oral expression and diction 3A, B and C 409_Oral expression and diction 7A and B

109_Practical practices 1 110_Practical practices 2 201_History of the performing arts 2A and B

03_Acting for camera

304_Aesthetics A

318_actor in front of the 3 camera

113_Oral expression and diction 1A, B and C 114_Oral expression and diction 2A, B and C 312_Oral expression and diction 5C 313_Oral expression and diction 6A and B 401_Pedagogy of theater A and B

410_Casting and videobook_col 2 A and B

111_Introduction systems 1A

305_Latest Trends A

106_Laboratory of song C 108_Vocal technique 1A 208_Cant individual 2 216_Learn music 2 317_3 vocal technique

308_Practical practices 5 309_Practical practices 6

3_Acting and direction 320_1 Camera Practitioner 404_Dramaturgia applied A 410_Casting and videobook 1 412_2 Camera Practitioner 422_TFC Int Group A

211_Introduction systems 3A 212_Introduction systems 4A

313_Oral expression and diction 6C (International)

104_Body knowledge techniques A, B and C 407_Free Creation Practice C

310_Interpretation systems 5B 311_Interpretation systems 6C

207_Body Training 2A, B and C

317_3 vocal technique

410_Casting and videobook A and B

212_Interpretation systems 3A_Daulte 407_Free Creation Practice B 408_Interpretation systems 7 / Listening

102_History and theory of dramatic literature 1 A and B

209_Practical practices 3

212_Interpretation Systems 3B_Daulte 311_Interpretation systems 6A_Daulte 408_Interpretation Systems 7B Listening

215_Interpretation of 1 songs 315_Interpretation of 2 songs 411_Interpretation of 3 songs

408_Interpretation Systems 7 A

408_Interpretation Systems 7 A

212_Introduction systems 4A

105_Cant indv. 1 106_Laboratory of song C 108_Tech. vowel 1B 215_Interpretation of 1 songs 217_2 vocal technique 314_Cant indv. 3 411_Cant indv. Hearing

104_Body knowledge techniques A, B and C 401_Pedagogy of theater A and B

410_Casting and videobook A and B

406_Teatro físico A y B

315_Interpretation of 2 songs

105_Cant individual 1 208_Cant individual 2

212_Interpretation systems 3A_Daulte 310_Interpretation systems 5A_Daulte 311_Interpretation Systems 6C_Daulte

301_Theatrical production A

112_Introduction systems 2A 214_Oral expression and diction 4B and C 408_Interpretation Systems 7B / Listening

410_Casting and videobook 2A and B

105_Cant individual 1 208_Cant individual 2

111_Interpretation systems 1C 112_Interpretation systems 2B 214_Oral expression and diction 4A 215_Interpretation of 1 songs 312_Oral expression and diction 5A and B 409_Oral expression and diction 7A and B

107_Musical language 1A and B 122_Learn music 1 316_Learn music 3 401_Pedagogy of theater B

405_Scene rating and direction

402_Makeup 403_Video

404_Dramaturgia applied B 422_TFC_Int. GROUP B

211_Interpretation systems 3C 311_Introduction systems 6A 319_The 4 camera player

103_History and theory of dramatic literature 2A and B 303_Dramatic Analysis_Beckett A

215_Interpretation of 1 songs 306_Body Training 3A and B 307_Body Training 4A, B and C 407_Free Creation Practice

212_Interpretation systems 4C

310_Interpretation systems 5B 311_Interpretation systems 6B 404_Applied Dramaturgy C 422_TFC_Int. GROUP C

101_History and theory of dramatic literature 1A and B 202_Spectory and communication theory 1A and B 203_Spectory and communication theory 2A and B

310_Introduction systems 5A

111_Interpretation systems 1B 112_Interpretation systems 2C 218_The actor in front of camera 1A and B 219_The actor in front of camera 2A and B

201_History of the performing arts 2A and B

315_Interpretation of 2 songs 411_Interpretation of 3 songs

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204_History and theory of dramatic literature 3A and B
205_History and theory of dramatic literature 4A and B
210_Practical practices 4
Shakespeare 's Dramatic Analysis

106_Singing laboratory B
108_Vocal technique 1A
208_Cant individual 2

105_Cant individual 1
208_Cant individual 2

101_History of the performing arts 1A and B
122_Learn music 1

213_Oral expression and diction 3A, B and C
409_Oral expression and diction 7A and B

109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2A and B

113_Oral expression and diction 1A, B and C
114_Oral expression and diction 2A, B and C
312_Oral expression and diction 5C
313_Oral expression and diction 6A and B
401_Pedagogy of theater A and B

106_Laboratory of song C
108_Vocal technique 1A
208_Cant individual 2
216_Learn music 2
317_3 vocal technique

308_Practical practices 5
309_Practical practices 6

3_Acting and direction
320_1 Camera Practitioner
404_Dramaturgia applied A
410_Casting and videobook 1
412_2 Camera Practitioner
422_TFC Int Group A

211_Introduction systems 3A
212_Introduction systems 4A

104_Body knowledge techniques A, B and C
407_Free Creation Practice C

310_Interpretation systems 5B
311_Interpretation systems 6C

212_Interpretation systems 3A_Daulte
407_Free Creation Practice B
408_Interpretation systems 7 / Listening

212_Interpretation Systems 3B_Daulte
311_Interpretation systems 6A_Daulte
408_Interpretation Systems 7B Listening

215_Interpretation of 1 songs
315_Interpretation of 2 songs
411_Interpretation of 3 songs

105_Cant indv. 1
106_Laboratory of song C
108_Tech. vowel 1B
215_Interpretation of 1 songs
217_2 vocal technique
314_Cant indv. 3
411_Cant indv. Hearing

104_Body knowledge techniques A, B and C
401_Pedagogy of theater A and B

105_Cant individual 1
208_Cant individual 2

212_Interpretation systems 3A_Daulte
310_Interpretation systems 5A_Daulte
311_Interpretation Systems 6C_Daulte

112_Introduction systems 2A
214_Oral expression and diction 4B and C
408_Interpretation Systems 7B / Listening

105_Cant individual 1
208_Cant individual 2

111_Interpretation systems 1C
112_Interpretation systems 2B
214_Oral expression and diction 4A
215_Interpretation of 1 songs
312_Oral expression and diction 5A and B
409_Oral expression and diction 7A and B

107_Musical language 1A and B
122_Learn music 1
316_Learn music 3
401_Pedagogy of theater B

402_Makeup
403_Video

404_Dramaturgia applied B
422_TFC_Int. GROUP B

211_Interpretation systems 3C
311_Introduction systems 6A
319_The 4 camera player

103_History and theory of dramatic literature 2A and B
303_Dramatic Analysis_Beckett A

215_Interpretation of 1 songs
306_Body Training 3A and B
307_Body Training 4A, B and C
407_Free Creation Practice

310_Interpretation systems 5B
311_Interpretation systems 6B
404_Applied Dramaturgy C
422_TFC_Int. GROUP C

101_History and theory of dramatic literature 1A and B
202_Spectory and communication theory 1A and B
203_Spectory and communication theory 2A and B

111_Interpretation systems 1B
112_Interpretation systems 2C
218_The actor in front of camera 1A and B
219_The actor in front of camera 2A and B

315_Interpretation of 2 songs
411_Interpretation of 3 songs