ESAD: Specialty Interpretation
Academic information
| No. of courses | No. of credits |
|---|---|
| 4 | 240 |
| Character | ECTS Credits |
|---|---|
| Basic shape | 22 |
| Mandatory form | 185 |
| Optional form | 33 |
| Total | 240 |
| Subjects | Crèdits ECTS | 1r | 2n | 3r | 4t | |
|---|---|---|---|---|---|---|
| Character design | 6 | - | - | - | 6 | |
| Drama | 10 | - | - | 6 | 4 | |
| Aesthetics | 6 | - | - | 6 | - | |
| History of the performing arts | 8 | 4 | 4 | - | - | |
| History and theory of dramatic literature | 12 | 6 | 6 | - | - | |
| Moviment | 24 | 6 | 6 | 6 | 6 | |
| Music and song | 19 | 17 | 2 | - | - | |
| Pedagogy | 4 | - | - | - | 4 | |
| Practices of interpretation | 22 | 9 | 6 | 7 | - | |
| Production and management | 4 | - | - | 4 | - | |
| Artistic promotion | 4 | - | - | - | 4 | |
| Systems of interpretation | 44 | 12 | 12 | 12 | 8 | |
| Musical theater technician | 29 | - | 12 | 13 | 4 | |
| Technique for cinema and television | 29 | - | 12 | 13 | 4 | |
| Theory of entertainment and communication | 6 | - | 6 | - | - | |
| End of career job | 15 | - | - | - | 15 | |
| Oral expression | 21 | 6 | 6 | 6 | 3 | |
| Total ECTS credits | 240 | 60 | 60 | 60 | 60 |
Prerequisites for enrollment
- Having studied a subject does not imply having passed but yes, having enrolled.
- Having passed a subject means having passed and passed.
| Code / Subject | Semester | Card | Subject matter | Type | Mention | Hours | Crèdits | h / set. | Prerequisites for enrollment | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
FIRST YEAR | |||||||||||
| ESAD_0101 History of the performing arts 1 | S1 | S2 | History of the performing arts | FB | 100 | 4 | 2h | There are no prerequisites for enrollment. | |||
| ESAD_0102 History and theory of dramatic literature 1 | S1 | History and theory of dramatic literature | OB | 75 | 3 | 2h | There are no prerequisites for enrollment. | ||||
| ESAD_0103 History and theory of dramatic literature 2 | S2 | History and theory of dramatic literature | OB | 75 | 3 | 2h | To enroll in the subject of "History and theory of dramatic literature 2 It must also have been enrolled in the subject of "History and theory of dramatic literature 1. | ||||
| ESAD_0104 Corporal knowledge techniques | S1 | S2 | Moviment | OB | 150 | 6 | TWOXXXXXXXXXXXXXXXXXX | There are no prerequisites for enrollment. | |||
| ESAD_0105 Individual sing 1 | S1 | S2 | Music and song | OB | 50 | 2 | 40 ' | There are no prerequisites for enrollment. | |||
| ESAD_0106 Cant lab | S1 | S2 | Music and song | OB | 100 | 4 | 1h30 | There are no prerequisites for enrollment. | |||
| ESAD_0107 Musical language 1 | S1 | S2 | Music and song | OB | 150 | 6 | 1h30 | There are no prerequisites for enrollment. | |||
| ESAD_0108 1 vocal technique | S1 | S2 | Music and song | OB | 125 | 5 | 1h30 | There are no prerequisites for enrollment. | |||
| ESAD_0109 Practices of interpretation 1 | S1 | Practices of interpretation | OB | 112,5 | 4,5 | 2h + 2h | There are no prerequisites for enrollment. | ||||
| ESAD_0110 Practices of interpretation 2 | S2 | Practices of interpretation | OB | 112,5 | 4,5 | 2h + 2h | To enroll in the subject of Practices of interpretation 2 You must also have enrolled in the subject of Practices of interpretation 1. | ||||
| ESAD_0111 1 interpretation systems | S1 | Systems of interpretation | OB | 150 | 6 | 3h + 3h | There are no prerequisites for enrollment. | ||||
| ESAD_0112 2 interpretation systems | S2 | Systems of interpretation | OB | 150 | 6 | 3h + 3h | To enroll in the subject of 2 interpretation systems You must also have enrolled in the subject of 1 interpretation systems. | ||||
| ESAD_0113 Oral expression and diction 1 | S1 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | There are no prerequisites for enrollment. | ||||
| ESAD_0114 Oral expression and diction 2 | S2 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "Oral expression and diction 2 It must also have been enrolled in the subject of "Oral expression and diction 1. | ||||
SECOND YEAR | |||||||||||
| ESAD_0201 History of the performing arts 2 | S1 | S2 | History of the performing arts | FB | 100 | 4 | 2h | To enroll in the subject of "History of the performing arts 2 It is necessary to have passed, previously,History of the performing arts 1. | |||
| ESAD_0202 Theory of show and communication 1 | S1 | Theory of entertainment and communication | FB | 75 | 3 | 2h | There are no prerequisites for enrollment. | ||||
| ESAD_0203 Theory of show and communication 2 | S2 | Theory of entertainment and communication | FB | 75 | 3 | 2h | To enroll in the subject of Theory of show and communication 2 You must also have enrolled in the subject of Theory of show and communication 1. | ||||
| ESAD_0204 History and theory of dramatic literature 3 | S1 | History and theory of dramatic literature | OB | 75 | 3 | 2h | To enroll in the subject of "History and theory of dramatic literature 3 it will be necessary to have passed, previously, History and theory of dramatic literature 1 i ofHistory and theory of dramatic literature 2. | ||||
| ESAD_0205 History and theory of dramatic literature 4 | S2 | History and theory of dramatic literature | OB | 75 | 3 | 2h | To enroll in the subject of "History and theory of dramatic literature 4 It must also have been enrolled in the subject of "History and theory of dramatic literature 3. | ||||
| ESAD_0206 1 body training | S1 | Moviment | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "1 body training It will be necessary to have passed, previously, the subject of Body knowledge techniques. | ||||
| ESAD_0207 2 body training | S2 | Moviment | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "2 body training It must also have been enrolled in the subject of "1 body training. | ||||
| ESAD_0208 Individual sing 2 | S1 | S2 | Music and song | OB | 50 | 2 | 30 ' | To enroll in the subject of Individual sing 2 It will be necessary to have passed, previously, the subject of Individual sing 1.. | |||
| ESAD_0209 Practices of interpretation 3 | S1 | Practices of interpretation | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of Practices of interpretation 3 It will be necessary to have previously passed the subjects of Practices of interpretation 1 and from Practices of interpretation 2 i 1 and 2 Interpretation Systems | ||||
| ESAD_0210 Practices of interpretation 4 | S2 | Practices of interpretation | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of Practices of interpretation 4 You must also have enrolled in the subject of Practices of interpretation 3 | ||||
| ESAD_0211 3 interpretation systems | S1 | Systems of interpretation | OB | 150 | 6 | 3h + 3h | To enroll in the subject of 3 interpretation systems It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems. | ||||
| ESAD_0212 4 interpretation systems | S2 | Systems of interpretation | OB | 150 | 6 | 3h + 3h | To enroll in the subject of 4 interpretation systems You must also have enrolled in the subject of 3 interpretation systems. | ||||
| ESAD_0213 Oral expression and diction 3 | S1 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "Oral expression and diction 3 must have previously taken and passed the subjects of 1 and 2 interpretation systems. | ||||
| ESAD_0214 Oral expression and diction 4 | S2 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "Oral expression and diction 4 It must also have been enrolled in the subject of "Oral expression and diction 3. | ||||
| ESAD_0215 Interpretation of 1 songs | S1 | S2 | Musical theater technician | OP | Musical | 150 | 6 | 3h | To enroll in the subject of "Interpretation of 1 songs It will be necessary to have previously passed the subjects of Cant lab, Musical language 1 and from Individual sing 1. And we must be admitted (by note) to the mention of Musical. | ||
| ESAD_0216 Musical language 2 | S1 | S2 | Musical theater technician | OP | Musical | 75 | 3 | 1h30 | To enroll in the subject of Musical language 2 It will be necessary to have passed, previously, the subject of Musical language 1. | ||
| ESAD_0217 2 vocal technique | S1 | S2 | Musical theater technician | OP | Musical | 75 | 3 | 1h30 | To enroll in the subject of 2 vocal technique It will be necessary to have passed, previously, the subject of 1 vocal technique. | ||
| ESAD_0218 The actor in front of the 1 camera | S1 | Technique for cinema and TV | OP | Cinema and TV | 150 | 6 | 3h | To enroll in the subject of The actor in front of the 1 camera It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems. | |||
| ESAD_0219 The actor in front of the 2 camera | S2 | Technique for cinema and TV | OP | Cinema and TV | 150 | 6 | 3h | To enroll in the subject of The actor in front of the 2 camera You must also have enrolled in the subject of The actor in front of the 1 camera. | |||
THIRD YEAR | |||||||||||
| ESAD_0301 Theatrical production | S1 | S2 | Production and management | FB | 100 | 4 | 2h | To enroll in the subject of Theatrical production It will be necessary to have previously passed all the credits of the subjects of Basic Training of first and second course. | |||
| ESAD_0302 Dramatic Analysis: Shakespeare | S1 | Drama | OB | 75 | 3 | 2h | To enroll in the subject of "Dramatic Analysis: Shakespeare it will be necessary to have passed, previously,History and theory of dramatic literature 3 i ofHistory and theory of dramatic literature 4. | ||||
| ESAD_0303 Dramatic Analysis: Beckett | S2 | Drama | OB | 75 | 3 | 2h | To enroll in the subject of "Dramatic Analysis: Beckett It must also have been enrolled in the subject of "Dramatic Analysis: Shakespeare. | ||||
| ESAD_0304 Aesthetics | S1 | Aesthetics | OB | 75 | 3 | 2h | To enroll in the subject of "Aesthetics It will be necessary to have previously passed the subjects of Theory of show and communication 1 and from Theory of show and communication 2. | ||||
| ESAD_0305 Latest trends | S2 | Aesthetics | OB | 75 | 3 | 2h | To enroll in the subject of "Latest trends It must also have been enrolled in the subject of "Aesthetics. | ||||
| ESAD_0306 3 body training | 1S | Moviment | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "3 body training it will be necessary to have passed, previously,2 body training id '1 body training. | ||||
| ESAD_0307 4 body training | S2 | Moviment | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "4 body training It must also have been enrolled in the subject of "3 body training. | ||||
| ESAD_0308 Practices of interpretation 5 | S1 | Practices of interpretation | OB | 87,5 | 3,5 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of Practices of interpretation 5 It will be necessary to have previously passed the subjects of Practices of interpretation 3 and from Practices of interpretation 4. | ||||
| ESAD_0309 Practices of interpretation 6 | S2 | Practices of interpretation | OB | 87,5 | 3,5 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of Practices of interpretation 6 You must also have enrolled in the subject of Practices of interpretation 5. | ||||
| ESAD_0310 5 interpretation systems | S1 | Systems of interpretation | OB | 150 | 6 | 3h + 3h | To enroll in the subject of 5 interpretation systems It will be necessary to have previously passed the subjects of 3 interpretation systems and from 4 interpretation systems. | ||||
| ESAD_0311 6 interpretation systems | S2 | Systems of interpretation | OB | 150 | 6 | 3h + 3h | To enroll in the subject of 6 interpretation systems You must also have enrolled in the subject of 5 interpretation systems. | ||||
| ESAD_0312 Oral expression and diction 5 | S1 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "Oral expression and diction 5 it will be necessary to have passed, previously,Oral expression and diction 3 and from Oral expression and diction 4. | ||||
| ESAD_0313 Oral expression and diction 6 | S2 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "Oral expression and diction 6 It must also have been enrolled in the subject of "Oral expression and diction 5. | ||||
| ESAD_0314 Individual sing 3 | S1 | S2 | Musical theater technician | OP | Musical | 50 | 2 | 30 ' | To enroll in the subject of Individual sing 3 It will be necessary to have passed, previously, the subject of Individual sing 2. | ||
| ESAD_0315 Interpretation of 2 songs | S1 | S2 | Musical theater technician | OP | Musical | 125 | 5 | 3h | To enroll in the subject of "Interpretation of 2 songs it will be necessary to have passed, previously,Interpretation of 1 songs, Musical language 2 and from Individual sing 2. | ||
| ESAD_0316 Musical language 3 | S1 | S2 | Musical theater technician | OP | Musical | 75 | 3 | 1h30 | To enroll in the subject of Musical language 3 It will be necessary to have passed, previously, the subject of Musical language 2. | ||
| ESAD_0317 3 vocal technique | S1 | S2 | Musical theater technician | OP | Musical | 75 | 3 | 1h30 | To enroll in the subject of 3 vocal technique It will be necessary to have passed, previously, the subject of 2 vocal technique. | ||
| ESAD_0318 The actor in front of the 3 camera | S1 | Technique for cinema and TV | OP | Cinema and TV | 125 | 5 | 3h | To enroll in the subject of The actor in front of the 3 camera It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera. | |||
| ESAD_0319 The actor in front of the 4 camera | S2 | Technique for cinema and TV | OP | Cinema and TV | 125 | 5 | 3h | To enroll in the subject of The actor in front of the 4 camera You must also have enrolled in the subject of The actor in front of the 3 camera. | |||
| ESAD_0320 1 camera practice | S1 | S2 | Technique for cinema and TV | OP | Cinema and TV | 75 | 3 | To determinate | To enroll in the subject of 1 camera practice It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera. | ||
FOURTH YEAR | |||||||||||
| ESAD_0401 Pedagogy of the theater | S1 | S2 | Pedagogy | FB | 100 | 4 | 2h | To enroll in the subject of Pedagogy of the theater It will be necessary to have previously passed all the credits of the subjects of Basic Training first, second and third courses. | |||
| ESAD_0402 Makeup | S2 | Character design | OB | 75 | 3 | 2h | To enroll in the subject of Makeup All credits (180 ECTS) of the first, second and third year subjects must have been previously passed. | ||||
| ESAD_0403 Changing room | S2 | Character design | OB | 75 | 3 | 3h | To enroll in the subject of Changing room All credits (180 ECTS) of the first, second and third year subjects must have been previously passed. | ||||
| ESAD_0404 Dramatology applied | S1 | Drama | OB | 100 | 4 | 3h | To enroll in the Dramatology applied All credits (180 ECTS) of the first, second and third year subjects will have to be previously passed, and they must also be enrolled in the subject of End of career work. | ||||
| ESAD_0405 Scenic and scenic direction | S1 | Staging | OB | 150 | 6 | 3h | There are no prerequisites for enrollment. | ||||
| ESAD_0406 Physical theater | S1 | Moviment | OB | 75 | 3 | 3h | To enroll in the subject of Physical theater It will be necessary to have previously passed all the credits of the subject matter of Moviment first, second and third courses. | ||||
| ESAD_0407 Free creation practice | S2 | Moviment | OB | 75 | 3 | 3h | To enroll in the subject of Free creation practice You must also have enrolled in the subject of Physical theater. | ||||
| ESAD_0408 7 / Audition interpretation systems | S1 | Systems of interpretation | OB | 200 | 8 | 3h + 3h | To enroll in 'the subject of Interpretation Systems 7 / Hearing Before completing all the subjects of the first, second and third courses, and having passed all the credits of the subject Interpretation systems | ||||
| ESAD_0409 Oral expression and diction 7 | S1 | Oral expression | OB | 75 | 3 | TWOXXXXXXXXXXXXXXXXXX | To enroll in the subject of "Oral expression and diction 7 All credits of the subject must be previously passed Oral expression | ||||
| ESAD_0410 Casting and videobook | S2 | Artistic promotion | OP | Musical / Cinema and TV | 100 | 4 | 3h | To enroll in the "Casting and video book" course, you must first have taken all the subjects of the first, second and third courses and passed all the credits of the subject Interpretation Systems | |||
| ESAD_0411 Interpretation of songs 3 / Listen | S1 | Musical theater technician | OP | Musical | 100 | 4 | 3h | To enroll in the subject of "Interpretation of songs 3 / Listen Previously, the credits of the subjects must be passed: interpretation of 2 songs, 3 vocal technique, individual singing 3 and musical language 2, as well as all the credits of the subject Interpretation systems | |||
| ESAD_0412 2 camera practice | S1 | Technique for cinema and TV | OP | Cinema and TV | 100 | 4 | To determinate | To enroll in the subject of 2 camera practice It will be necessary to have passed, previously, the subject of 1 camera practice. | |||
| ESAD_0422 Final degree work_Interpretation | S2 | Final work | TF | 375 | 15 | 3h + 3h + 3h + 3h + 3h | To enroll in the subject of Final degree work_Interpretation must have previously passed all the subjects of Basic training i Mandatory first, second and third year. | ||||
Head of specialty: Josep Galindo Director of Studies: Nuria Sánchez
Interpretation Practice Tutors: Tony Casla, Carolina Llacher and Marta Galán
Course tutors:
- 1st ESAD - Mariona Esplugues
- 2nd ESAD - Carolina Llacher
- 3rd ESAD - Nuria Sánchez
- 4th ESAD - Josep Galindo
 | Julia Barceló CV 0214_Oral expression and diction 4B and 4C |  | Barbara Becker CV 0204_History and theory of dramatic literature 3A 0205_History and theory of dramatic literature 4A 0302_Dramaturgical Analysis_Shakespeare A |
 | Laura Bernaus CV 0106_Singing laboratory B 0108_Vocal technique 1A 0208_Cant individual 2 |  | Sebastià Bover Nicolau CV 0101_History of the performing arts 1A and B 0122_Learn music 1 |
 | Nicolás Carbajal CV 0406_Physical theater B 0407_ Free creation practice A and B |  | Queralt Casasayas CV 0213_Oral expression and diction 3A, B and C 0214_Oral expression and diction 4A, B and C |
 | Tony casla CV 0110_Practical practices 2 0209_Practical practices 3 |  | Mariona Castillo Garcia CV 0312_Oral expression and diction 5A (Cat-Cast) 0312_Oral expression and diction 5B (English) 0409_Oral expression and diction 7 (Text and Musical) |
 | Judit Colell CV 03_Acting for camera |  | Mariona Esplugues CV 0113_Oral expression and diction 1A, B and C 0114_Oral expression and diction 2A, B and C 0313_Oral expression and diction 6A (Cat-Cast) 0313_Oral expression and diction 6B (English) |
 | Alexandre Fons CV 0212_Introduction systems 4A |  | Ángela Furquet CV 0106_Singing laboratories A 0108_Vocal technique 1C 0216_Learn music 2 0208_Cant individual 2 0317_3 vocal technique |
 | Roberto G. Alonso CV 0422_TFC_Interpretation / GROUP B |  | Marta Galán CV 0308_Practical practices 5 0309_Practical practices 6 |
 | Josep Galindo Solé CV 03_Acting and direction 0404_Dramaturgia applied A 0410_Casting and videobook_col 1 0412_2 Camera Practitioner 0422_TFC_Interpretation / GROUP A |  | Daniela garcia CV 0313_Oral expression and diction 6C (International) |
 | Cristina Goñi CV 0207_Body Training 2A, B and C 0306_Body Training 3A (Cat-Cast) 0306_Body Training 3B (English) |  | Roger Guinot CV 0317_3 vocal technique |
 | Antònia Jaume CV 0310_Interpretation systems 5A_Daulte 0311_Interpretation systems 6A_Daulte |  | Mireia Juárez CV 0410_Casting and videobook |
 | Nuria Legarda CV 0311_Interpretation systems 6A_Daulte 0408_Interpretation systems 7 / Listening |  | Pablo Ley CV 0102_History and theory of dramatic literature 1 A and B |
 | Carolina Llacher CV 0202_Spectory and communication theory 1A and B 0203_Spectory and communication theory 2A and B 0209_Practical practices 3 0210_Practical practices 4 0305_Latest Trends A |  | Gustavo Llull CV 0215_Interpretation of 1 songs 0315_Interpretation of 2 songs |
 | Carol Lopez CV 0408_Interpretation systems 7 / Listening A |  | Cristina Lügstenmann CV 0206_ 1 body training |
 | Ferran madico CV 0211_Introduction systems 3A 0212_Interpretation systems 4C |  | Viv Manning CV 0105_Cant individual 1 0106_Laboratory of song C 0108_1B vocal technique 0215_Performance of songs 1_vocal coach 0217_2 vocal technique 0314_Cant individual 3 0411_Individual singing / Listening |
 | Àlex Mañas CV 0311_Interpretation systems 6A (Cat-Cast) 0318_The actor in front of the camera 3 A |  | Mar Medina CV 0101_History of the performing arts 1A and B 0104_Body knowledge techniques A, B and C |
 | Víctor Molina CV 0201_History of the performing arts 2A 0304_Aesthetics A |  | Sandra Monclús CV 0311_Introduction systems 6B Daulte |
 | Monegal sea CV 0111_Introduction systems 1A 0404_Dramaturgia applied B 0422_TFC_Interpretation / GROUP B |  | Òscar Peñarroya CV 0411_Performing Songs 3 (Listening) |
 | David Painted CV 0315_Interpretation of 2 songs 0411_Performing Songs 3 (Listening) |  | Laia Piró CV 0105_Cant individual 1 0208_Cant individual 2 |
 | Mercè Puy Campos CV 0301_Theatrical production |  | Elisenda Renom CV 0104_Body knowledge techniques A, B and C 0406_Physical theater A |
 | Montse Rodriguez CV 0112_Introduction systems 2A 0408_Interpretation Systems 7B / Listening |  | Clara Sallago CV 0105_Cant individual 1 0208_Cant individual 2 |
 | Àngels Sánchez CV 0111_Interpretation systems 1C 0112_Interpretation systems 2B 0214_Oral expression and diction 4A 0215_Interpretation of 1 songs |  | Nuria Sánchez CV 0107_Musical language 1A and B 0122_Learn music 1 0316_Learn music 3 |
 | Cristina Schmutz CV 0405_Scene rating and direction |  | Elisabet Siles CV 0402_Makeup 0403_Video |
 | Israel Solà CV 0310_Interpretation systems 5A (Cat-Cast) |  | David Teixidó CV 0211_Introduction systems 3 0319_The 4 camera player |
 | Marta Tirado CV 0103_History and theory of dramatic literature 2A and B 0303_Dramatic Analysis_Beckett A |  | Aina Torné CV 0307_ 4 body training |
 | Martí Torras CV 0212_Introduction systems 4 0310_Introduction systems 5 (cat / cast) |  | Carla Torres CV 0310_Interpretation systems 5B_Daulte (English) 0311_Interpretation Systems 6B (English) 0311_Interpretation systems 6B_Daulte (English) |
 | Martina Tosticarelli CV 0201_History of the performing arts 2A |  | Geneva Valley CV 0310_Interpretation Systems 5B (English) 0311_Interpretation systems 6C (International) 0320_1 Camera Practitioner |
 | Joan Vazquez CV 0411_Individual group Erasmus group |  | Alicia Verdés CV 0111_Interpretation systems 1B 0112_Interpretation systems 2C 0218_The actor in front of camera 1A and B 0219_The actor in front of camera 2A and B |
 | David Vert CV 0212_Interpretation systems 4A_Daulte |  | Marc Vilavella CV 0315_Interpretation of 2 songs |
Cinema and television
If you want to be film or television actor this is your specialty. The program proposes the in-depth exploration of your records and interpretative qualities to work your potential and address with maximum guarantees the access to the professional world. You will learn techniques to act in front of the camera and the stage, in Prepare castings and auditions. You will get in touch with directors and filmmakers, and during your training, you will generate audiovisual material and learn how to make your own videobook. The camera practices are also performed in association with other universities and specialized centers, with the desire to get in touch with future filmmakers and film directors.
Recommended specialty if you want to achieve a deep and quality interpretative training and if you have a special interest in exploring and discovering your qualities in front of the camera.
Musical theater
If you like to act, sing and dance this is your specialty. A very complete and eminently practical training where You will work the body and voice it and will train you as an actor and singer. The program includes singing classes, musical language, song interpretation, body work, dance and many other essentials to develop your instrument to the fullest. It is, without a doubt, the specialty that maximizes all your qualities and records, and makes a special one emphasize the sung voice.
Suitable for all those who feel passion for music, for which you want to be performers of musical theater or for those who may have dreamed of having one record race.