These courses aim to provide professional actors and actresses, as well as graduate students from different theater schools, advanced training in acting training and interpretative work in front of the camera.
For students who have not graduated from Eòlia it is essential to send the artistic CV to the school.
Course 2024-2025
Courses 2023-2017

HEALTHY BELTING STRATEGIES FOR THE 21ST CENTURY VOCAL ATHLETE
With Wendy Leborgne
Understanding the science behind belting – what is happening physiologically? Where do you start with a beginning belter and how/when do you advance their technique?
October 25, 2024, from 10 a.m. to 14 p.m

DAULTE ACTOR TRAINING
With Carme Poll
El Adult Procedure, created by Argentinian director Javier Daulte, it is based on the actor's emotional training based on well-defined improvisations. The approach of these improvisations is based on the explanation of the argument, concretization of the rules of the game and the inescapable implication of the actor's commitment.
From 5 to 16 July 2023, from 11am to 13.30pm

FROM WORD TO ACTION
With Oriol Tarrasón
How to discover the keys that are hidden in the text to improve our interpretation? In this course we will work in a practical way with some of the most important authors of the last century to learn how to turn the text into a springboard that allows us to jump into the action with complete peace of mind.
From 5 to 9 September 2022, from 10am to 14pm

WORK OF CONTEMPORARY SCENES
With David Selvas
An intensive four-day trip where we will delve into scenes by the authors Marc Ravenhill, Martin McDonaugh, and Tenessee Williams, with their works The Lieutenant of Inshimore, The Briefcase (or the Importance of Being Someone) and/or A Streetcar Named Desire ; contemporary classics that are already part of our collective imagination.
From 13 to 16 September 2022, from 10am to 14pm

ONE HEART
With Julio Manrique
Master Peter Brook said that theater could be explained, essentially, as a group of people telling a story. And, also, that theater is, above all, a form of joy. To reflect, based on the work with choral scenes and with contemporary textual materials, on these rudimentary and ancestral concepts: group, history and celebration.
From 7 to 9 July 2020, from 10am to 15pm

SCENE WORK
With Joel Joan
Read first, imagine later and finally create a character; that's the interpreter's job. Taking a text and making it your own as if it had been written expressly by yourself. Understand the roles of each character in the scene and their goals. Analyze the reasons each character has for making the decisions they make.
From 1 to 5 July 2019, from 10am to 14pm

THE ACTRESS/ACTOR IN FRONT OF THE CAMERA
With Judith Colell
Practical course to work on cinematographic and television interpretation. The aim is to delve deeper into aspects such as listening and feeling, character, attention and concentration, energy and spontaneity, imagination, emotions and physical reactions and the simplification of acting without lose passion Contemporary film or TV scenes will be worked on, proposed by the teacher herself.
From November 5 to December 17, 2018, from 19 p.m. to 22 p.m.
HOW TO INTERPRET CHEKHOV'S CHARACTERS
With Yasen Peyankov
In the course, scenes from Chekhov's works will be worked on: The Seagull, Ivanov, The Cherry Orchard, The Three Sisters and Uncle Vania. The work will focus on creating the characters through Staniskavski's technique of psychological realism. Students will be challenged to let their imagination run wild in order to create truthful and convincing characters.
From November 27 to December 1, 2017, from 18pm to 22pm

THE CREATIVE ACTRESS and THE CREATIVE ACTOR
With Marc Martínez
We will discover the link between the creative personality of the actress/actor and her technique through a deep work of emotional unblocking, based on the search for unconscious impulses and imagination. We will always try to work - with freedom - from our particularity... and thus find our own style. And consolidate it, running away from common places, tensions and vices and that do nothing more than install us in an excessively predictable and conscious performance.
From 3 to 7 July 2017, from 10 a.m. to 14 p.m