Official Higher Education in Scenic Direction and Dramaturgy.

DEGREE IN DRAMATIC ART: Specialty Stage direction and dramaturgy

Academic information

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Stage direction

If you are a creative person, with ideas and desire to communicate, the specialty in scenic direction will give you tools to develop the artistic vision, take a solid technical and cultural base, and give shape to creative thinking.

This training addresses all the concepts involved in staging (direction of performers, space, scenography, lighting, sound space, character design, point of view, scenic languages, ideological thinking...) and includes subjects on the dramatic literature, the history of the arts of the spectacle and the new technologies applied to the performing arts.

You will develop with stage management studies Communication skills, analysis, reflection, leadership and teamwork. Complete and very original studies where, From the first course, you will create and take your projects into practice and perform stage management practices with actors.

They are highly recommended studies if you want train as a theater director, if you want to know the ways to Produce your own shows, or if you want channel your imagination bringing your creative intuitions to reality.

Dramaturgy and creation of texts

If you like to write and reflect, this is your specialty!

Dramaturgy gives you tools to open the look, Structuring thought and analyzing reality. A discipline where the critical spirit is based and where you will acquire knowledge about the arts, music and culture.

You will learn to write stories, build characters, write dialogues, monologues, pieces of microteatro almost project theatrical shows or your own performances.

Original, humanistic and practical studies focused on Encourage critical thinking, where you will develop your artistic look and where you will take tools that apply to various professional fields.

It is recommended if you want to be a theatrical author, and ideal if you want learn to write in the broadest sense of the word.

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Curriculum

No. of courses	No. of credits
4	240

Character	ECTS Credits
Basic shape	22
Mandatory form	200
Optional form	18
Total	240

Subjects	Crèdits ECTS	1r	2n	3r	4t	pdf
Actors' direction	12	-	12	-	-	pdf
Drama	41	6	4	6	15	pdf
Staging	25	13	-	12	0	pdf
Scenography, scenic space, lighting and character design	8	-	-	8	-	pdf
Aesthetics	6	-	-	6	-	pdf
Movie and television script	4	-	-	-	4	pdf
History of the performing arts	8	4	4	-	-	pdf
History and theory of dramatic literature	12	6	6	-	-	pdf
Music and sound space	6	4	-	-	2	pdf
Pedagogy	4	-	-	-	4	pdf
Dramatic writing practice	37	9	16	12	-	pdf
Production practices	4	-	-	-	4	pdf
Stage practice	20	8	6	6	-	pdf
External performance practices	6	-	-	-	6	pdf
Production and management	4	-	-	4	-	pdf
Applied psychology	4	-	-	-	4	pdf
Systems of interpretation	12	-	6	6	-	pdf
Technology applied to the arts of the show	6	-	-	-	6	pdf
Theory of entertainment and communication	6	-	6	-	-	pdf
Final year project	15	-	-	-	15	pdf
Total ECTS credits	240	60	60	60	60

Subjects

Prerequisites for enrollment

Code	Subject	Semester		Card	subject matter	type	hores	credits	h / setm	Requirements for enrollment
FIRST YEAR
ESAD_0101	History of the performing arts 1	S1	S2	pdf	History of the performing arts	FB	100	4	2h	There are no prerequisites for enrollment.
ESAD_0102	History and theory of dramatic literature 1	S1		pdf	History and theory of dramatic literature	OB	75	3	2h	There are no prerequisites for enrollment.
ESAD_0103	History and theory of dramatic literature 2		S2	pdf	History and theory of dramatic literature	OB	75	3	2h	To enroll in the subject of "History and theory of dramatic literature 2 It must also have been enrolled in the subject of "History and theory of dramatic literature 1.
ESAD_0115	Communicative analysis of the scenic event		S2	pdf	Drama	OB	75	3	2h	There are no prerequisites for enrollment.
ESAD_0116	Space. Meaning of space	S1		pdf	Drama	OB	100	4	2h	There are no prerequisites for enrollment.
ESAD_0117	Spoken language versus written language		S2	pdf	Drama	OB	75	3	2h	There are no prerequisites for enrollment.
ESAD_0118	Subject, formal structure and material compilation	S1		pdf	Drama	OB	75	3	2h	There are no prerequisites for enrollment.
ESAD_0119	Personage and character structure	S1		pdf	Drama	OB	75	3	2h	There are no prerequisites for enrollment.
ESAD_0120	Scenography and scenic direction 1	S1		pdf	Staging	OB	150	6	3h	There are no prerequisites for enrollment.
ESAD_0121	Scenography and scenic direction 2		S2	pdf	Staging	OB	175	7	3h	To enroll in the subject of "Scenography and scenic direction 2 It must also have been enrolled in the subject of "Scenography and scenic direction 1.
ESAD_0122	Musical language	S1	S2	pdf	Music and sound space	OB	100	4	1h30	There are no prerequisites for enrollment.
ESAD_0123	Monologue and dialogue 1	S1		pdf	Dramatic writing practice	OB	75	3	3h	There are no prerequisites for enrollment.
ESAD_0124	Monologue and dialogue 2		S2	pdf	Dramatic writing practice	OB	150	6	3h	To enroll in the subject of Monologue and dialogue 2 You must also have enrolled in the subject of Monologue and dialogue 1.
ESAD_0125	1 staging practices	S1		pdf	Stage practice	OB	100	4	2h + 2h	There are no prerequisites for enrollment for students who complete the specialty. An interview is necessary to evaluate other cases.
ESAD_0126	2 staging practices		S2	pdf	Stage practice	OB	100	4	2h + 2h	To enroll in the subject of 2 staging practices You must also have enrolled in the subject of 1 staging practices
SECOND YEAR
ESAD_0201	History of the performing arts 2	S1	S2	pdf	History of the performing arts	FB	100	4	2h	To enroll in the subject of " History of the performing arts 2 it will be necessary to have passed, previously,History of the performing arts 1.
ESAD_0202	Theory of show and communication 1	S1		pdf	Theory of entertainment and communication	FB	75	3	2h	There are no prerequisites for enrollment.
ESAD_0203	Theory of show and communication 2		S2	pdf	Theory of entertainment and communication	FB	75	3	2h	To enroll in the subject of Theory of show and communication 2 You must also have enrolled in the subject of Theory of show and communication 1.
ESAD_0204	History and theory of dramatic literature 3	S1		pdf	History and theory of dramatic literature	OB	75	3	2h	To enroll in the subject of "History and theory of dramatic literature 3 it will be necessary to have passed, previously,History and theory of dramatic literature 1 i ofHistory and theory and dramatic literature 2.
ESAD_0205	History and theory of dramatic literature 4		S2	pdf	History and theory of dramatic literature	OB	75	3	2h	To enroll in the subject of "History and theory of dramatic literature 4 It must also have been enrolled in the subject of "History and theory of dramatic literature 3.
ESAD_0220	Direction of actors 1	S1		pdf	Actors' direction	OB	150	6	3h	There are no prerequisites for enrollment.
ESAD_0221	Direction of actors 2		S2	pdf	Actors' direction	OB	150	6	3h	To enroll in the subject of Direction of actors 2 You must also have enrolled in the subject of Direction of actors 1.
ESAD_0222	Time Distribution of materials in the temporary continuum		S2	pdf	Drama	OB	100	4	2h	To enroll in the subject of Time Distribution of materials in the temporary continuum it will be necessary to have passed, previously,Space. Meaning of space.
ESAD_0223	Development of a theatrical piece 1	S1		pdf	Dramatic writing practice	OB	150	6	3h	To enroll in the subject of Development of a theatrical piece 1 It will be necessary to have previously passed the subjects of Monologue and dialogue 1 and from Monologue and dialogue 2, or of 1 staging practices and from 2 staging practices.
ESAD_0224	Development of a theatrical piece 2		S2	pdf	Dramatic writing practice	OB	150	6	3h	To enroll in the subject of Development of a theatrical piece 2 It must also have been enrolled in the subject Development of a theatrical piece 1
ESAD_0225	Invention of the argument	S1		pdf	Dramatic writing practice	OB	100	4	2h	To enroll in the subject of "Invention of the argument It will be necessary to have previously passed the subjects of Monologue and dialogue 1 i Monologue and dialogue 2.
ESAD_0226	3 staging practices	S1		pdf	Stage practice	OB	75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of 3 staging practices It will be necessary to have previously passed the subjects of 1 staging practices and from 2 staging practices.
ESAD_0227	4 staging practices		S2	pdf	Stage practice	OB	75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of 4 staging practices You must also have enrolled in the subject of 3 staging practices.
ESAD_0228	Analysis of 1 interpretation systems	S1		pdf	Systems of interpretation	OB	75	3	3h + 3h	To enroll in the subject of Analysis of 1 interpretation systems It will be necessary to have previously passed the subjects of 1 staging practices i 2 staging practices.
ESAD_0229	Analysis of 2 interpretation systems		S2	pdf	Systems of interpretation	OB	75	3	3h + 3h	To enroll in the subject of "Analysis of 2 interpretation systems It must also have been enrolled in the subject of "Analysis of 1 interpretation systems.
THIRD YEAR
ESAD_0301	Theatrical production	S1	S2	pdf	Production and management	FB	100	4	2h	To enroll in the subject of Theatrical production it will be necessary to have passed, previously, all the credits of the subjects of Basic Training of first.
ESAD_0302	Dramatic Analysis: Shakespeare	S1		pdf	Drama	OB	75	3	2h	To enroll in the subject of "Dramatic Analysis: Shakespeare it will be necessary to have passed, previously,History and theory of dramatic literature 3 i ofHistory and theory of dramatic literature 4.
ESAD_0303	Dramatic Analysis: Beckett		S2	pdf	Drama	OB	75	3	2h	To enroll in the subject of "Dramatic Analysis: Beckett It must also have been enrolled in the subject of "Dramatic Analysis: Shakespeare.
ESAD_0304	Aesthetics	S1		pdf	Aesthetics	OB	75	3	2h	To enroll in the subject of "Aesthetics It will be necessary to have previously passed the subjects of Theory of show and communication 1 and from Theory of show and communication 2.
ESAD_0305	Latest trends		S2	pdf	Aesthetics	OB	75	3	2h	To enroll in the subject ofLatest trends It must also have been enrolled in the subject of "Aesthetics.
ESAD_0321	Staged 1	S1		pdf	Staging	OB	150	6	3h	To enroll in the subject of Staged 1 it will be necessary to have passed, previously,Scenography and scenic direction 1 i ofScenography and scenic direction 2.
ESAD_0322	Staged 2		S2	pdf	Staging	OB	150	6	3h	To enroll in the subject of Staged 2 You must also have enrolled in the subject of Staged 1.
ESAD_0323	Scenery and costumes	S1	S2	pdf	Scenography, scenic space, lighting and character design	OB	100	4	2h	To enroll in the subject of "Scenery and costumes it will be necessary to have passed, previously,Space. Meaning of space.
ESAD_0324	Lighting of scenic spaces		S2	pdf	Scenography, scenic space, lighting and character design	OB	100	4	2h	To enroll in the subject of "Lighting of scenic spaces it will be necessary to have passed, previously,Scenography and scenic direction 1 i ofScenography and scenic direction 2.
ESAD_0325	Development of a theatrical piece 3	S1		pdf	Dramatic writing practice	OB	150	6	3h	To enroll in the subject of Development of a theatrical piece 3 It will be necessary to have previously passed the subjects of Monologue and dialogue 1 and from Monologue and dialogue 2, or of 1 staging practices and from 2 staging practices.
ESAD_0326	Development of a theatrical piece 4		S2	pdf	Dramatic writing practice	OB	150	6	3h	To enroll in the subject of Development of a theatrical piece 4 You must also have enrolled in the subject of Development of a theatrical piece 3.
ESAD_0327	5 staging practices	S1		pdf	Stage practice	OB	75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of 5 staging practices It will be necessary to have previously passed the subjects of 3 staging practices and from 4 staging practices.
ESAD_0328	6 staging practices		S2	pdf	Stage practice	OB	75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of 6 staging practices You must also have enrolled in the subject of 5 staging practices.
ESAD_0329	Analysis of 3 interpretation systems	S1		pdf	Systems of interpretation	OB	75	3	3h	To enroll in the subject of Analysis of 3 interpretation systems It will be necessary to have previously passed the subjects of 1 staging practices i 2 staging practices.
ESAD_0330	Analysis of 4 interpretation systems		S2	pdf	Systems of interpretation	OB	75	3	3h	To enroll in the subject of "Analysis of 4 interpretation systems It must also have been enrolled in the subject of "Analysis of 3 interpretation systems.
FOURTH YEAR
ESAD_0401	Pedagogy of the theater	S1	S2	pdf	Pedagogy	FB	100	4	2h	To enroll in the subject of Pedagogy of the theater All credits must have been exceeded *Basic training* first, second and third courses.
ESAD_0413	Dramaturgy in the 1 essay	S1		pdf	Drama	OB	125	5	2h	To enroll in the subject of Dramaturgy in the 1 essay it will be necessary to have passed, previously,Dramatic Analysis: Shakespeare i ofDramatic Analysis: Beckett.
ESAD_0414	Dramaturgy in the 2 essay		S2	pdf	Drama	OB	250	10	2h	To enroll in the subject of Dramaturgy in the 2 essay You must also have enrolled in the subject of Dramatic in the 1 essay.
ESAD_0415	Sound design	S1		pdf	Music and sound space	OB	50	2	2h	To enroll in the subject of Sound design It will be necessary to have passed, previously, the subject of Musical language.
ESAD_0416	Technology applied to the performing arts 1	S1		pdf	Technology applied to the arts of the show	OB	75	3	2h	To enroll in the subject of Technology applied to the performing arts 1 It will be necessary to have previously passed the subjects of Staged 1 and from Staged 2.
ESAD_0417	Technology applied to the performing arts 2		S2	pdf	Technology applied to the arts of the show	OB	75	3	2h	To enroll in the subject of Technology applied to the performing arts 2 You must also have enrolled in the subject of Technology applied to the performing arts 1.
ESAD_0418	Introduction to the screenplay of cinema and television	S1		pdf	Movie and television script	OP	100	4	2h	To enroll in the subject of "Introduction to the screenplay of cinema and television It will be necessary to have previously passed the subjects of Development of a theatrical piece 3 and from Development of a theatrical piece 4.
ESAD_0419	Production practices	S1		pdf	Production practices	OP	100	4	2h	To enroll in the subject of Production practices It will be necessary to have passed, previously, the subject of Theatrical production.
ESAD_0420	Psychology applied to group management	S1		pdf	Applied psychology	OP	100	4	2h	To enroll in the subject of Psychology applied to group management It will be necessary to have previously passed the subjects of Staged 1 and from Staged 2.
ESAD_0421	External practices in a company or company of performing arts				External performance practices	OP	150	6	To determinate	To enroll in the subject of External practices in a company or company of performing arts All credits (180 ECTS) of first, second and third years must be previously passed.
ESAD_0423	Stage Direction and Dramaturgy Final Degree Thesis		S2		Final Work	TF	375	15	To determine (between July and September)	To enroll in the subject Stage Direction and Dramaturgy Final Degree Thesis All credits (180 ECTS) of the first, second and third courses must be previously passed.

Schedules and calendars

24_25_General calendar DEGREE

24_25_GRAU_DD_HOURS_1r

24_25_GRAU_DD_HOURS_2n

24_25_GRAU_DD_HOURS_3r

24_25_GRAU_DD_HOURS_4t

Access and specific test

Information at this link: www.eolia.cat/oferta-formativa/prova-dacces/

Teaching team

Head of specialty: Pablo Ley

Director of Studies: Nuria Sánchez

Tutor of the courses: Oriol Morales

Internship tutors 1st semester:

1st – Tony Casla and Pablo Ley
2nd – Oriol Morales
3rd – Carla Torres

Internship tutors 2nd semester:

1st – Tony Casla and Josep Galindo
2nd – Barbara Becker
3rd – Carla Torres

Natalia Barraza CV

321_Posed on 1 scene
405_Latest trends
423_TFG_Stage Direction and Dramaturgy

Barbara Becker CV

121_ Scenario rating and direction 2
204_History and theory of dramatic literature 3
205_History and theory of dramatic literature 4
227_4 staging practices
302_Dramaturgical analysis Shakespeare

Victoria Boixadera Practical interpretation and coordination

Victoria Boixadera CV

125_1 staging practices
126_2 staging practices
201_History of the performing arts 2
220_Direction of actors 1

Jordi Collet CV

415_ Sound design

Núria Corominas CV

304_Aesthetics
305_Long trends B
423_TFG_Stage Direction and Dramaturgy

Mariona Esplugues. Head of the Oral Expression department

Mariona Esplugues CV

401_Pedagogy of the theater

Anna Espunya CV

324_Lighting of stage spaces

Aleix Fauró CV

413_Dramaturgy in rehearsal 1
423_TFG_Stage Direction and Dramaturgy

Roberto Fratini CV

305_Latest trends
322_Posed on 2 scene
416_Technology applied to the performing arts 1

Joseph Galindo Co-founder Head of specialty and of the Interpretation department

Josep Galindo CV

120_ Scenario rating and direction 1
405_Scene rating and direction

Antonio Garrido CV

225_Invention of the argument

Ricard Gázquez CV

423_TFG_Stage Direction and Dramaturgy

Gisela Juanet CV

301_Theatrical production

Pablo Ley. Head of specialty and of the Dramaturgy and Stage Direction department

Pablo Ley CV

102_History and theory liter. dramatic 1
103_History and literary theory. dramatic 2
118_Topic, structure and collection. of materials
222_Temps. materials in the continuous temp.
224_Development. theater piece 2

Ferran Madico CV

121_ Scenario rating and direction 2

Nil Martin CV

115_Functional communicative analysis

Mar Medina CV

423_TFG_Stage Direction and Dramaturgy

Sea Monegal CV

401_Pedagogy of theater A and B

Sergi Mora CV

420_Psychology applied to group management

Oriol Morales and Pujolar CV

119_Personage and character structure
123_Monologist and 1 dialog
124_Monologist and 2 dialog
223_Development of a play 1
226_3 staging practices

Juan Carlos Olivares CV

414_Dramaturgy in rehearsal 2

Raul Perales. Theatrical production and Dramaturgy

Raül Perales CV

301_Theatrical production
419_Products of production

Anna Maria Ricart CV

326_Development. of a play 4

Carla Rovira CV

325_Development. of a play 3
329_Analysis of interpretation systems 3
330_Analysis of interpretation systems 4
423_TFG_Stage Direction and Dramaturgy

Nuria Sánchez CV

401_Pedagogy of the theater

Israel Solà CV

423_TFG_Stage Direction and Dramaturgy

Marta Tirado CV

101_History and theory of dramatic literature 1
103_History and theory of dramatic literature 2
303_Dramaturgical analysis_Beckett

Martí Torras CV

221_Direction of actors 2

Carla Torres CV

327_5 staging practices
328_6 staging practices

Martina Tosticarelli. Interpretation and Direction

Martina Tosticarelli CV

101_History and theory of dramatic literature 1B
202_Theory of the show and communication 1A, B and C
203_Theory of the show and communication 2A, B and C
323_Sceneography and costumes

Ana Sabina Vergara Make-up and costumes.

Ana Sabina Vergara CV

323_Sceneography and costumes

Sadurní Vergés CV

117_Spoken language versus written language
123_Monologist and 1 dialog
124_Monologist and 2 dialog
201_History of the performing arts 2
302_Dramaturgical analysis_Shakespeare

Concentration: Theatre Directing and Dramaturgy

DEGREE IN DRAMATIC ART: Specialty Stage direction and dramaturgy

Academic information

Text deeeee

Stage direction

Dramaturgy and creation of texts

If you like to write and reflect, this is your specialty!

Curriculum

Subjects

Prerequisites for enrollment

Schedules and calendars

Access and specific test

Teaching team

Internship tutors 1st semester:

Internship tutors 2nd semester:

321_Posed on 1 scene 405_Latest trends 423_TFG_Stage Direction and Dramaturgy

121_ Scenario rating and direction 2 204_History and theory of dramatic literature 3 205_History and theory of dramatic literature 4 227_4 staging practices 302_Dramaturgical analysis Shakespeare

421_External practices in company or company

116_Space. Meaning of space

101_History of the performing arts 1

125_1 staging practices 126_2 staging practices 201_History of the performing arts 2 220_Direction of actors 1

415_ Sound design

304_Aesthetics 305_Long trends B 423_TFG_Stage Direction and Dramaturgy

401_Pedagogy of the theater

324_Lighting of stage spaces

413_Dramaturgy in rehearsal 1 423_TFG_Stage Direction and Dramaturgy

305_Latest trends 322_Posed on 2 scene 416_Technology applied to the performing arts 1

120_ Scenario rating and direction 1 405_Scene rating and direction

225_Invention of the argument

423_TFG_Stage Direction and Dramaturgy

301_Theatrical production

102_History and theory liter. dramatic 1 103_History and literary theory. dramatic 2 118_Topic, structure and collection. of materials 222_Temps. materials in the continuous temp. 224_Development. theater piece 2

121_ Scenario rating and direction 2

115_Functional communicative analysis

423_TFG_Stage Direction and Dramaturgy

401_Pedagogy of theater A and B

420_Psychology applied to group management

119_Personage and character structure 123_Monologist and 1 dialog 124_Monologist and 2 dialog 223_Development of a play 1 226_3 staging practices

414_Dramaturgy in rehearsal 2

301_Theatrical production 419_Products of production

326_Development. of a play 4

325_Development. of a play 3 329_Analysis of interpretation systems 3 330_Analysis of interpretation systems 4 423_TFG_Stage Direction and Dramaturgy

401_Pedagogy of the theater

423_TFG_Stage Direction and Dramaturgy

101_History and theory of dramatic literature 1 103_History and theory of dramatic literature 2 303_Dramaturgical analysis_Beckett

221_Direction of actors 2

327_5 staging practices 328_6 staging practices

101_History and theory of dramatic literature 1B 202_Theory of the show and communication 1A, B and C 203_Theory of the show and communication 2A, B and C 323_Sceneography and costumes

323_Sceneography and costumes

117_Spoken language versus written language 123_Monologist and 1 dialog 124_Monologist and 2 dialog 201_History of the performing arts 2 302_Dramaturgical analysis_Shakespeare

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321_Posed on 1 scene
405_Latest trends
423_TFG_Stage Direction and Dramaturgy

121_ Scenario rating and direction 2
204_History and theory of dramatic literature 3
205_History and theory of dramatic literature 4
227_4 staging practices
302_Dramaturgical analysis Shakespeare

125_1 staging practices
126_2 staging practices
201_History of the performing arts 2
220_Direction of actors 1

304_Aesthetics
305_Long trends B
423_TFG_Stage Direction and Dramaturgy

413_Dramaturgy in rehearsal 1
423_TFG_Stage Direction and Dramaturgy

305_Latest trends
322_Posed on 2 scene
416_Technology applied to the performing arts 1

120_ Scenario rating and direction 1
405_Scene rating and direction

102_History and theory liter. dramatic 1
103_History and literary theory. dramatic 2
118_Topic, structure and collection. of materials
222_Temps. materials in the continuous temp.
224_Development. theater piece 2

119_Personage and character structure
123_Monologist and 1 dialog
124_Monologist and 2 dialog
223_Development of a play 1
226_3 staging practices

301_Theatrical production
419_Products of production

325_Development. of a play 3
329_Analysis of interpretation systems 3
330_Analysis of interpretation systems 4
423_TFG_Stage Direction and Dramaturgy

101_History and theory of dramatic literature 1
103_History and theory of dramatic literature 2
303_Dramaturgical analysis_Beckett

327_5 staging practices
328_6 staging practices

101_History and theory of dramatic literature 1B
202_Theory of the show and communication 1A, B and C
203_Theory of the show and communication 2A, B and C
323_Sceneography and costumes

117_Spoken language versus written language
123_Monologist and 1 dialog
124_Monologist and 2 dialog
201_History of the performing arts 2
302_Dramaturgical analysis_Shakespeare