DEGREE IN DRAMATIC ART: Specialty Interpretation

DEGREE IN DRAMATIC ART: Specialty Interpretation_2

Academic information

Cinema and television

If you want to be film or television actor this is your specialty. The program proposes the in-depth exploration of your records and interpretative qualities to work your potential and address with maximum guarantees the access to the professional world. You will learn techniques to act in front of the camera and the stagePrepare castings and auditions. You will get in touch with directors and filmmakers, and during your training, you will generate audiovisual material and learn how to make your own videobook. The camera practices are also performed in association with other universities and specialized centers, with the desire to get in touch with future filmmakers and film directors.

Recommended specialty if you want to achieve a deep and quality interpretative training and if you have a special interest in exploring and discovering your qualities in front of the camera.

Musical theater

If you like to act, sing and dance this is your specialty. A very complete and eminently practical training where You will work the body and voice it and will train you as an actor and singer. The program includes singing classes, musical language, song interpretation, body work, dance and many other essentials to develop your instrument to the fullest. It is, without a doubt, the specialty that maximizes all your qualities and records, and makes a special one emphasize the sung voice.

Suitable for all those who feel passion for music, for which you want to be performers of musical theater or for those who may have dreamed of having one record race.

Scenic direction and drama

If you have the heart divided between the two specialties that we offer, this is your optional mention. You have the option of taking subjects in the specialty of Stage Direction and Dramaturgy as electives. Thus, apart from achieving a deep acting training and working on your acting potential in the field of theater, you will learn to write stories, build characters and to project theatrical shows. You will have the opportunity to put your projects into practice and carry them out stage management practices with performers. Channel your imagination on and off stage!

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No. of coursesNo. of credits
4240
CharacterECTS Credits
Basic shape22
Mandatory form185
Optional form33
Total240
SubjectsCrèdits
ECTS
1r2n3r4tpdf
Character design6---6pdf
Drama10--64pdf
Aesthetics6--6-pdf
History of the performing arts844--pdf
History and theory of dramatic literature1266--pdf
Moviment246666pdf
Music and song19172--pdf
Pedagogy4---4pdf
Practices of interpretation22967-pdf
Production and management4--4-pdf
Artistic promotion4---4pdf
Systems of interpretation441212128pdf
Musical theater technician29-12134pdf
Technique for cinema and television29-12134pdf
Theory of entertainment and communication6-6--pdf
Final year project15---15pdf
Oral expression 216663pdf
Total ECTS credits24060606060

Prerequisites for enrollment

  • Having studied a subject does not imply having passed but yes, having enrolled.
  • Having passed a subject means having passed and passed.
Code / SubjectSemesterCardSubject matterTypeMentionHoursCrèditsh / set.Prerequisites for enrollment

FIRST YEAR

ESAD_0101
History of the performing arts 1

S1

S2

pdf

History of the performing arts

FB

100

4

2h

There are no prerequisites for enrollment.
ESAD_0102
History and theory of dramatic literature 1

S1

pdf

History and theory of dramatic literature

OB

75

3

2h

There are no prerequisites for enrollment.
ESAD_0103
History and theory of dramatic literature 2

S2

pdf

History and theory of dramatic literature

OB

75

3

2h

To enroll in the subject of "History and theory of dramatic literature 2 It must also have been enrolled in the subject of "History and theory of dramatic literature 1.
ESAD_0104
Corporal knowledge techniques

S1

S2

pdf

Moviment

OB

150

6

TWOXXXXXXXXXXXXXXXXXX

There are no prerequisites for enrollment.
ESAD_0105
Stage singing 1

S1

S2

pdf

Music and scene

OB

50

2

40 '

There are no prerequisites for enrollment.
ESAD_0106
Cant lab

S1

S2

pdf

Music and scene

OB

100

4

1h

There are no prerequisites for enrollment.
ESAD_0107
Musical language 1

S1

S2

pdf

Music and song

OB

150

6

1h

There are no prerequisites for enrollment.
ESAD_0108
Vocal knowledge techniques 

S1

S2

pdf

Music and scene

OB

125

5

1h

There are no prerequisites for enrollment.
ESAD_0109
Practices of interpretation 1

S1

pdf

Practices of interpretation

OB

112,5

4,5

2h + 2h

There are no prerequisites for enrollment.
ESAD_0110
Practices of interpretation 2

S2

pdf

Practices of interpretation

OB

112,5

4,5

2h + 2h

To enroll in the subject of Practices of interpretation 2 You must also have enrolled in the subject of Practices of interpretation 1.
ESAD_0111
1 interpretation systems

S1

pdf

Systems of interpretation

OB

150

6

3h + 3h

There are no prerequisites for enrollment.
ESAD_0112
2 interpretation systems

S2

pdf

Systems of interpretation

OB

150

6

3h + 3h

To enroll in the subject of 2 interpretation systems You must also have enrolled in the subject of 1 interpretation systems.
ESAD_0113
Oral expression and diction 1

S1

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

There are no prerequisites for enrollment.
ESAD_0114
Oral expression and diction 2

S2

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "Oral expression and diction 2 It must also have been enrolled in the subject of "Oral expression and diction 1.

SECOND YEAR

ESAD_0201
History of the performing arts 2

S1

S2

pdf

History of the performing arts

FB

100

4

2h

To enroll in the subject of "History of the performing arts 2 It is necessary to have passed, previously,History of the performing arts 1.
ESAD_0202
Theory of show and communication 1

S1

pdf

Theory of entertainment and communication

FB

75

3

2h

There are no prerequisites for enrollment.
ESAD_0203
Theory of show and communication 2

S2

pdf

Theory of entertainment and communication

FB

75

3

2h

To enroll in the subject of Theory of show and communication 2 You must also have enrolled in the subject of Theory of show and communication 1.
ESAD_0204
History and theory of dramatic literature 3

S1

pdf

History and theory of dramatic literature

OB

75

3

2h

To enroll in the subject of "History and theory of dramatic literature 3 it will be necessary to have passed, previously, History and theory of dramatic literature 1 i ofHistory and theory of dramatic literature 2.
ESAD_0205
History and theory of dramatic literature 4

S2

pdf

History and theory of dramatic literature

OB

75

3

2h

To enroll in the subject of "History and theory of dramatic literature 4 It must also have been enrolled in the subject of "History and theory of dramatic literature 3.
ESAD_0206
1 body training

S1

pdf

Moviment

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "1 body training It will be necessary to have passed, previously, the subject of Body knowledge techniques.
ESAD_0207
2 body training

S2

pdf

Moviment

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "2 body training It must also have been enrolled in the subject of "1 body training.
ESAD_0208
Individual sing 2

S1

S2

Music and song

OB

50

2

30 '

To enroll in the subject of Individual sing 2 It will be necessary to have passed, previously, the subject of Individual sing 1..
ESAD_0209
Practices of interpretation 3

S1

pdf

Practices of interpretation

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of Practices of interpretation 3 It will be necessary to have previously passed the subjects of Practices of interpretation 1 and from Practices of interpretation 2 i 1 and 2 Interpretation Systems
ESAD_0210
Practices of interpretation 4

S2

pdf

Practices of interpretation

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of Practices of interpretation 4 You must also have enrolled in the subject of Practices of interpretation 3
ESAD_0211
3 interpretation systems

S1

pdf

Systems of interpretation

OB

150

6

3h + 3h

To enroll in the subject of 3 interpretation systems It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0212
4 interpretation systems

S2

pdf

Systems of interpretation

OB

150

6

3h + 3h

To enroll in the subject of 4 interpretation systems You must also have enrolled in the subject of 3 interpretation systems.
ESAD_0213
Oral expression and diction 3

S1

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "Oral expression and diction 3 must have previously taken and passed the subjects of 1 and 2 interpretation systems.
ESAD_0214
Oral expression and diction 4

S2

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "Oral expression and diction 4 It must also have been enrolled in the subject of "Oral expression and diction 3.
ESAD_0215
Interpretation of 1 songs

S1

S2

Musical theater technician

OP

Musical

150

6

3h

To enroll in the subject of "Interpretation of 1 songs It will be necessary to have previously passed the subjects of Cant lab, Musical language 1 and from Individual sing 1. And we must be admitted (by note) to the mention of Musical.
ESAD_0216
Musical language 2

S1

S2

Musical theater technician

OP

Musical

75

3

1h

To enroll in the subject of Musical language 2 It will be necessary to have passed, previously, the subject of Musical language 1.
ESAD_0217
2 vocal technique

S1

S2

Musical theater technician

OP

Musical

75

3

1h

To enroll in the subject of 2 vocal technique It will be necessary to have passed, previously, the subject of 1 vocal technique.
ESAD_0218
The actor in front of the 1 camera

S1

pdf

Technique for cinema and TV

OP

Cinema and TV

150

6

3h

To enroll in the subject of The actor in front of the 1 camera It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0219
The actor in front of the 2 camera

S2

pdf

Technique for cinema and TV

OP

Cinema and TV

150

6

3h

To enroll in the subject of The actor in front of the 2 camera You must also have enrolled in the subject of The actor in front of the 1 camera.

THIRD YEAR

ESAD_0301
Theatrical production

S1

S2

pdf

Production and management

FB

100

4

2h

To enroll in the subject of Theatrical production It will be necessary to have previously passed all the credits of the subjects of Basic Training of first and second course.
ESAD_0302
Dramatic Analysis: Shakespeare

S1

pdf

Drama

OB

75

3

2h

To enroll in the subject of "Dramatic Analysis: Shakespeare it will be necessary to have passed, previously,History and theory of dramatic literature 3 i ofHistory and theory of dramatic literature 4.
ESAD_0303
Dramatic Analysis: Beckett

S2

pdf

Drama

OB

75

3

2h

To enroll in the subject of "Dramatic Analysis: Beckett It must also have been enrolled in the subject of "Dramatic Analysis: Shakespeare.
ESAD_0304
Aesthetics

S1

pdf

Aesthetics

OB

75

3

2h

To enroll in the subject of "Aesthetics It will be necessary to have previously passed the subjects of Theory of show and communication 1 and from Theory of show and communication 2.
ESAD_0305
Latest trends

S2

pdf

Aesthetics

OB

75

3

2h

To enroll in the subject of "Latest trends It must also have been enrolled in the subject of "Aesthetics.
ESAD_0306
3 body training

1S

pdf

Moviment

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "3 body training it will be necessary to have passed, previously,2 body training id '1 body training.
ESAD_0307
4 body training

S2

pdf

Moviment

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "4 body training It must also have been enrolled in the subject of "3 body training.
ESAD_0308
Practices of interpretation 5

S1

pdf

Practices of interpretation

OB

87,5

3,5

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of Practices of interpretation 5 It will be necessary to have previously passed the subjects of Practices of interpretation 3 and from Practices of interpretation 4.
ESAD_0309
Practices of interpretation 6

S2

pdf

Practices of interpretation

OB

87,5

3,5

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of Practices of interpretation 6 You must also have enrolled in the subject of Practices of interpretation 5.
ESAD_0310
5 interpretation systems

S1

pdf

Systems of interpretation

OB

150

6

3h + 3h

To enroll in the subject of 5 interpretation systems It will be necessary to have previously passed the subjects of 3 interpretation systems and from 4 interpretation systems.
ESAD_0311
6 interpretation systems

S2

pdf

Systems of interpretation

OB

150

6

3h + 3h

To enroll in the subject of 6 interpretation systems You must also have enrolled in the subject of 5 interpretation systems.
ESAD_0312
Oral expression and diction 5

S1

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "Oral expression and diction 5 it will be necessary to have passed, previously,Oral expression and diction 3 and from Oral expression and diction 4.
ESAD_0313
Oral expression and diction 6

S2

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "Oral expression and diction 6 It must also have been enrolled in the subject of "Oral expression and diction 5.
ESAD_0314
Individual sing 3

S1

S2

pdf

Musical theater technician

OP

Musical

50

2

30 '

To enroll in the subject of Individual sing 3 It will be necessary to have passed, previously, the subject of Individual sing 2.
ESAD_0315
Interpretation of 2 songs

S1

S2

pdf

Musical theater technician

OP

Musical

125

5

3h

To enroll in the subject of "Interpretation of 2 songs it will be necessary to have passed, previously,Interpretation of 1 songs, Musical language 2 and from Individual sing 2.
ESAD_0316
Musical language 3

S1

S2

pdf

Musical theater technician

OP

Musical

75

3

1h

To enroll in the subject of Musical language 3 It will be necessary to have passed, previously, the subject of Musical language 2.
ESAD_0317
3 vocal technique

S1

S2

pdf

Musical theater technician

OP

Musical

75

3

1h

To enroll in the subject of 3 vocal technique It will be necessary to have passed, previously, the subject of 2 vocal technique.
ESAD_0318
The actor in front of the 3 camera

S1

pdf

Technique for cinema and TV

OP

Cinema and TV

125

5

3h

To enroll in the subject of The actor in front of the 3 camera It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera.
ESAD_0319
The actor in front of the 4 camera

S2

pdf

Technique for cinema and TV

OP

Cinema and TV

125

5

3h

To enroll in the subject of The actor in front of the 4 camera You must also have enrolled in the subject of The actor in front of the 3 camera.
ESAD_0320
1 camera practice

S1

S2

pdf

Technique for cinema and TV

OP

Cinema and TV

75

3

To determinate

To enroll in the subject of 1 camera practice It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera.

FOURTH YEAR

ESAD_0401
Pedagogy of the theater

S1

S2

pdf

Pedagogy

FB

100

4

2h

To enroll in the subject of Pedagogy of the theater It will be necessary to have previously passed all the credits of the subjects of Basic Training first, second and third courses.
ESAD_0402
Makeup

S2

pdf

Character design

OB

75

3

2h

To enroll in the subject of Makeup All credits (180 ECTS) of the first, second and third year subjects must have been previously passed.
ESAD_0403
Changing room

S2

pdf

Character design

OB

75

3

3h

To enroll in the subject of Changing room All credits (180 ECTS) of the first, second and third year subjects must have been previously passed.
ESAD_0404
Dramatology applied

S1

pdf

Drama

OB

100

4

3h

To enroll in the Dramatology applied All credits (180 ECTS) of the first, second and third year subjects will have to be previously passed, and they must also be enrolled in the subject of End of career work.
ESAD_0405
Scenic and scenic direction

S1

pdf

Staging

OB

150

6

3h

There are no prerequisites for enrollment.

ESAD_0406
Physical theater

S1

pdf

Moviment

OB

75

3

3h

To enroll in the subject of Physical theater It will be necessary to have previously passed all the credits of the subject matter of Moviment first, second and third courses.
ESAD_0407
Free creation practice

S2

pdf

Moviment

OB

75

3

3h

To enroll in the subject of Free creation practice You must also have enrolled in the subject of Physical theater.
ESAD_0408
7 / Audition interpretation systems

S1

pdf

Systems of interpretation

OB

200

8

3h + 3h

To enroll in 'the subject of Interpretation Systems 7 / Hearing Before completing all the subjects of the first, second and third courses, and having passed all the credits of the subject Interpretation systems
ESAD_0409
Oral expression and diction 7

S1

pdf

Oral expression

OB

75

3

TWOXXXXXXXXXXXXXXXXXX

To enroll in the subject of "Oral expression and diction 7 All credits of the subject must be previously passed Oral expression
ESAD_0410
Casting and videobook

S2

pdf

Artistic promotion

OP

Musical / Cinema and TV

100

4

3h

To enroll in the "Casting and video book" course, you must first have taken all the subjects of the first, second and third courses and passed all the credits of the subject Interpretation Systems
ESAD_0411
Interpretation of songs 3 / Listen

S1

pdf

Musical theater technician

OP

Musical

100

4

3h

To enroll in the subject of "Interpretation of songs 3 / Listen Previously, the credits of the subjects must be passed: interpretation of 2 songs, 3 vocal technique, individual singing 3 and musical language 2, as well as all the credits of the subject Interpretation systems
ESAD_0412
2 camera practice

S1

pdf

Technique for cinema and TV

OP

Cinema and TV

100

4

To determinate

To enroll in the subject of 2 camera practice It will be necessary to have passed, previously, the subject of 1 camera practice.
ESAD_0422
Interpretation Degree Final Thesis

S2

Final work

TF

375

15

3h + 3h + 3h + 3h + 3h

To enroll in the subject of Interpretation Degree Final Thesis must have previously passed all the subjects of Basic training i Mandatory first, second and third year.

Teaching team

Head of specialty: Josep Galindo 

Director of Studies: Nuria Sánchez

Course tutors: 

  • 1st – Mariona Esplugues
  • 2nd – Ángeles Sánchez
  • 3rd – Nuria Sánchez
  • 4th – Josep Galindo

Internship tutors 1st semester:

  • 1st – Tony Casla and Pablo Ley
  • 2nd – Oriol Morales
  • 3rd – Carla Torres

Internship tutors 2nd semester:

  • 1st – Tony Casla and Josep Galindo
  • 2nd – Barbara Becker
  • 3rd – Carla Torres
Ana Albornoz. The Planter
307_Body Training 4A, B and C
407_Free Creation Practice B
Barbara Becker
204_History and theory of dramatic literature 3A and B
205_History and theory of dramatic literature 4A and B
210_Practical practices 4
Shakespeare 's Dramatic Analysis
Bass Angels. Interpretation
212_Interpretation systems 4B
Cristina Blanco. Music and singing
105_Cant individual 1
208_Cant individual 2
217_2 vocal technique
314_Cant indv. 3
411_Cant indv. Hearing
Sebastian Bover. Music and Singing
101_History of the performing arts 1A and B
122_Learn music 1
Tony Casla. Drama
109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2A and B
Mariona Castillo. Voice
409_Oral expression and diction 7A and B
Núria Coromines. dramaturgy
304_Aesthetics A and B
305_Long trends B
Tony Corvillo
318_actor in front of the 3 camera
320_1 Camera Practitioner
Erasmus_Acting for camera
Erasmus_Staging and theater directing
Denise Duncan. dramaturgy
404_Applied dramaturgy TFG A
Montse Enguita Theater production
301_Theatrical production A and B
Mariona Esplugues. Head of the Oral Expression department
108_Vocal technique 1A, B and C
113_Oral expression and diction 1A, B and C
114_Oral expression and diction 2A, B and C
401_Pedagogy of theater A and B
Aleix Fauró. Dramaturgy
422_TFG Interpretation Group B
Roberto Fratini. dramaturgy
305_Latest Trends A
Joseph Galindo Co-founder Head of specialty and of the Interpretation department
110_Practical practices 2
Jose Pedro Garcia. Interpretation
211_Introduction systems 3A
Teresa Garcia
407_Free Creation Practice C
Sam Gillett. interpretation
407_Free Creation Practice C
Berta Giraut voice
113_Oral expression and diction 1A, B and C
114_Oral expression and diction 2A, B and C
Cristina Goñi. Body and Dance
207_Body Training 2A, B and C
306_Body Training 3A, B and C
Oriol Guinart. voice
214_Oral expression and diction 4B and C
Mireia Juarez. Interpretation and Casting
410_Casting and videobook A and B
Pablo Ley. Head of specialty and of the Dramaturgy and Stage Direction department
102_History and theory of dramatic literature 1A and B
404_Applied Dramaturgy TFG B
Carolina Llacher
209_Practical practices 3
Marià Llop. Interpretation
311_Interpretation systems 6A_Daulte
Gustavo LLull. Pianist
215_Interpretation of 1 songs
315_Interpretation of 2 songs
Cristina Lugstenmann. Body and Dance
206_Body Training 1A, B and C
Ferran madico
211_Interpretation systems 3C
212_Introduction systems 4A
Alex Mañas Interpretation and camera
310_Interpretation systems 5B
311_Interpretation systems 6A_Daulte
319_Interpretation in front of the camera 4
412_2 Camera Practitioner
Miriam Marcet voice
213_Oral expression and diction 3A, B and C
313_Oral expression and diction 6A, B and C
409_Oral expression and diction 7B
Eli Marcos Body and Dance
104_Body knowledge techniques A, B and C
Neil Martin interpretation
311_Interpretation Systems 6B_Daulte
Núria Masip. The Planter
105_Cant indv. 1
106_Singing laboratory B
208_Individual song 2
Anna Mateo Music and Singing
105_Cant individual 1
208_Cant individual 2
Mar Medina Body and Dance
104_Body knowledge techniques A, B and C
406_Teatro físico A y B
Monegasque Sea Head of the Planter Area. interpretation
111_Introduction systems 1
311_Interpretation systems 6B
401_Pedagogy of theater A and B
Albert Mora. Music and Singing
106_Singing laboratory A and B
314_Cant individual 3
411_Individual singing / Audition
Asier Olabarrieta Music and Singing
105_Cant individual 1
208_Cant individual 2
216_Learn music 2
315_Interpretation of 2 songs
Oscar Peñarroya. Music and Singing_Teaching_Eòlia
408_Interpretation systems 7A / Listening A
411_Interpretation of 3 songs
Raul Perales. Theatrical production and Dramaturgy
301_Theatrical production A, B and C
David Pinto Head of the Musical Theater departmentÒscar Peñarroya. Music and Singing_Teaching_Eòlia
315_Interpretation of 2 songs
408_Interpretation systems 7A / Listening A
411_Interpretation of 3 songs
Carme Poll
408_Interpretation systems 7B and C / Audition_Daulte
Marc Ribera interpretation
310_Interpretation systems 5A Daulte
Montse Rodríguez. Interpretation
408_Interpretation systems 7B / Listening B
Sonia Rodriguez. Music and Sing Cant
105_Cant indv. 1
208_Cant indv. 2
215_Interpretation of 1 songs
314_Cant indv. 3
317_3 vocal technique
Carla Rovira. Dramaturgy
212_Interpretation systems 4C
Clara Sallago. Music and Singing
105_Cant indv. 1
208_Cant indv. 2
314_Cant indv. 3
Angels Sanchez Music and Singing
111_Interpretation systems 1C
112_Interpretation systems 2B
214_Oral expression and diction 4A
215_Interpretation of 1 songs
312_Oral expression and diction 5A and B
409_Oral expression and diction 7A
Nuria Sánchez. Drama
107_Musical language 1A and B
316_Learn music 3
401_Pedagogy of theater B
Cristina Schmutz
309_Practical practices 6
Jaime C. Segura voice
312_Oral expression and diction 5A and B
Joan Mª Segura Interpretation and Direction
315_Interpretation of 2 songs
Israel Sola. interpretation
408_Interpretation systems 7C / Listening C
David Teixido
211_Interpretation systems 3B
310_Introduction systems 5A
Marta Tirado. Drama
101_History of the performing arts 1A
103_History and theory of dramatic literature 2A and B
303_Dramaturgical analysis_Beckett A and B
Aina Torné. Body and Dance
307_Body Training 4A, B and C
407_Free Creation Practice B
Martí Torras. Direction interpretation
405_Scene rating and direction
422_TFG Interpretation
Carla Torres. Dramaturgy
111_Interpretation systems 1B
112_Introduction systems 2A
308_5 staging practices
309_6 staging practices
310_Interpreting systems. 5B-C
311_Interpreting systems. 6C-D
Martina Tosticarelli. Interpretation and Direction
101_History and theory of dramatic literature 1B
202_Spectory and communication theory 1A and B
203_Spectory and communication theory 2A and B
Alícia Verdés. Interpretation and camera
112_Interpretation systems 2C
218_Interpretation in front of the camera 1A and B
219_Interpretation in front of the camera 2A and B
Ana Sabina Vergara Make-up and costumes.
402_Makeup A and B
403_Clothes A and B
Sadurní Vergés. Dramaturgy
201_History of the performing arts 2A and B
302_Dramaturgical analysis Shakespeare B
Marc Vilavella. Music and Cant
315_Interpretation of 2 songs