Degree in EAS of Dramatic Art

DEGREE IN DRAMATIC ART: Specialty Interpretation

Academic information

Optional mentions

Cinema and television

If you want to be film or television actor this is your specialty. The program proposes the in-depth exploration of your records and interpretative qualities to work your potential and address with maximum guarantees the access to the professional world. You will learn techniques to act in front of the camera and the stage, Prepare castings and auditions. You will get in touch with directors and filmmakers, and during your training, you will generate audiovisual material and learn how to make your own videobook. The camera practices are also performed in association with other universities and specialized centers, with the desire to get in touch with future filmmakers and film directors.

Recommended specialty if you want to achieve a deep and quality interpretative training and if you have a special interest in exploring and discovering your qualities in front of the camera.

Musical theater

If you like to act, sing and dance this is your specialty. A very complete and eminently practical training where You will work the body and voice it and will train you as an actor and singer. The program includes singing classes, musical language, song interpretation, body work, dance and many other essentials to develop your instrument to the fullest. It is, without a doubt, the specialty that maximizes all your qualities and records, and makes a special one emphasize the sung voice.

Suitable for all those who feel passion for music, for which you want to be performers of musical theater or for those who may have dreamed of having one record race.

Scenic direction and drama

If you have the heart divided between the two specialties that we offer, this is your optional mention. You have the option of taking subjects in the specialty of Stage Direction and Dramaturgy as electives. Thus, apart from achieving a deep acting training and working on your acting potential in the field of theater, you will learn to write stories, build characters and to project theatrical shows. You will have the opportunity to put your projects into practice and carry them out stage management practices with performers. Channel your imagination on and off stage!

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Curriculum

No. of courses	No. of credits
4	240

Character	ECTS Credits
Basic shape	22
Mandatory form	185
Optional form	33
Total	240

Subjects	Crèdits ECTS	1r	2n	3r	4t	pdf
Character design	6	-	-	-	6	pdf
Drama	10	-	-	6	4	pdf
Aesthetics	6	-	-	6	-	pdf
History of the performing arts	8	4	4	-	-	pdf
History and theory of dramatic literature	12	6	6	-	-	pdf
Moviment	24	6	6	6	6	pdf
Music and song	19	17	2	-	-	pdf
Pedagogy	4	-	-	-	4	pdf
Practices of interpretation	22	9	6	7	-	pdf
Production and management	4	-	-	4	-	pdf
Artistic promotion	4	-	-	-	4	pdf
Systems of interpretation	44	12	12	12	8	pdf
Musical theater technician	29	-	12	13	4	pdf
Technique for cinema and television	29	-	12	13	4	pdf
Theory of entertainment and communication	6	-	6	-	-	pdf
Final year project	15	-	-	-	15	pdf
Oral expression	21	6	6	6	3	pdf
Total ECTS credits	240	60	60	60	60

Subjects

Prerequisites for enrollment

Having studied a subject does not imply having passed but yes, having enrolled.
Having passed a subject means having passed and passed.

Code / Subject	Semester		Card	Subject matter	Type	Mention	Hours	Crèdits	h / set.	Prerequisites for enrollment
FIRST YEAR
ESAD_0101 History of the performing arts 1	S1	S2	pdf	History of the performing arts	FB		100	4	2h	There are no prerequisites for enrollment.
ESAD_0102 History and theory of dramatic literature 1	S1		pdf	History and theory of dramatic literature	OB		75	3	2h	There are no prerequisites for enrollment.
ESAD_0103 History and theory of dramatic literature 2		S2	pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 2 It must also have been enrolled in the subject of "History and theory of dramatic literature 1.
ESAD_0104 Corporal knowledge techniques	S1	S2	pdf	Moviment	OB		150	6	TWOXXXXXXXXXXXXXXXXXX	There are no prerequisites for enrollment.
ESAD_0105 Stage singing 1	S1	S2	pdf	Music and scene	OB		50	2	40 '	There are no prerequisites for enrollment.
ESAD_0106 Cant lab	S1	S2	pdf	Music and scene	OB		100	4	1h30	There are no prerequisites for enrollment.
ESAD_0107 Musical language 1	S1	S2	pdf	Music and song	OB		150	6	1h30	There are no prerequisites for enrollment.
ESAD_0108 Vocal knowledge techniques	S1	S2	pdf	Music and scene	OB		125	5	1h30	There are no prerequisites for enrollment.
ESAD_0109 Practices of interpretation 1	S1		pdf	Practices of interpretation	OB		112,5	4,5	2h + 2h	There are no prerequisites for enrollment.
ESAD_0110 Practices of interpretation 2		S2	pdf	Practices of interpretation	OB		112,5	4,5	2h + 2h	To enroll in the subject of Practices of interpretation 2 You must also have enrolled in the subject of Practices of interpretation 1.
ESAD_0111 1 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	There are no prerequisites for enrollment.
ESAD_0112 2 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 2 interpretation systems You must also have enrolled in the subject of 1 interpretation systems.
ESAD_0113 Oral expression and diction 1	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	There are no prerequisites for enrollment.
ESAD_0114 Oral expression and diction 2		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 2 It must also have been enrolled in the subject of "Oral expression and diction 1.
SECOND YEAR
ESAD_0201 History of the performing arts 2	S1	S2	pdf	History of the performing arts	FB		100	4	2h	To enroll in the subject of "History of the performing arts 2 It is necessary to have passed, previously,History of the performing arts 1.
ESAD_0202 Theory of show and communication 1	S1		pdf	Theory of entertainment and communication	FB		75	3	2h	There are no prerequisites for enrollment.
ESAD_0203 Theory of show and communication 2		S2	pdf	Theory of entertainment and communication	FB		75	3	2h	To enroll in the subject of Theory of show and communication 2 You must also have enrolled in the subject of Theory of show and communication 1.
ESAD_0204 History and theory of dramatic literature 3	S1		pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 3 it will be necessary to have passed, previously, History and theory of dramatic literature 1 i ofHistory and theory of dramatic literature 2.
ESAD_0205 History and theory of dramatic literature 4		S2	pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 4 It must also have been enrolled in the subject of "History and theory of dramatic literature 3.
ESAD_0206 1 body training	S1		pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "1 body training It will be necessary to have passed, previously, the subject of Body knowledge techniques.
ESAD_0207 2 body training		S2	pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "2 body training It must also have been enrolled in the subject of "1 body training.
ESAD_0208 Individual sing 2	S1	S2	pdf	Music and song	OP		50	2	30 '	To enroll in the subject of Individual sing 2 It will be necessary to have passed, previously, the subject of Individual sing 1..
ESAD_0209 Practices of interpretation 3	S1		pdf	Practices of interpretation	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 3 It will be necessary to have previously passed the subjects of Practices of interpretation 1 and from Practices of interpretation 2 i 1 and 2 Interpretation Systems
ESAD_0210 Practices of interpretation 4		S2	pdf	Practices of interpretation	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 4 You must also have enrolled in the subject of Practices of interpretation 3
ESAD_0211 3 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 3 interpretation systems It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0212 4 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 4 interpretation systems You must also have enrolled in the subject of 3 interpretation systems.
ESAD_0213 Oral expression and diction 3	S1			Oral expression	OB		75	4	1h30 + 1h30+1h30	To enroll in the subject of "Oral expression and diction 3 must have previously taken and passed the subjects of 1 and 2 interpretation systems.
ESAD_0214 Oral expression and diction 4		S2		Oral expression	OB		75	4	1h30 + 1h30+1h30	To enroll in the subject of "Oral expression and diction 4 It must also have been enrolled in the subject of "Oral expression and diction 3.
ESAD_0215 Interpretation of 1 songs	S1	S2	pdf	Musical theater technician	OP	Musical	150	6	3h	To enroll in the subject of "Interpretation of 1 songs It will be necessary to have previously passed the subjects of Cant lab, Musical language 1 and from Individual sing 1. And we must be admitted (by note) to the mention of Musical.
ESAD_0216 Musical language 2	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of Musical language 2 It will be necessary to have passed, previously, the subject of Musical language 1.
ESAD_0217 Vocal technique in group 1	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of 2 vocal technique It will be necessary to have passed, previously, the subject of 1 vocal technique.
ESAD_0218 Interpretation in front of the camera 1	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	150	6	3h	To enroll in the subject of The actor in front of the 1 camera It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0219 Interpretation in front of the camera 2		S2	pdf	Technique for cinema and TV	OP	Cinema and TV	150	6	3h	To enroll in the subject of The actor in front of the 2 camera You must also have enrolled in the subject of The actor in front of the 1 camera.
THIRD YEAR
ESAD_0301 Theatrical production	S1	S2	pdf	Production and management	FB		100	4	2h	To enroll in the subject of Theatrical production It will be necessary to have previously passed all the credits of the subjects of *Basic Training* of first and second course.
ESAD_0302 Dramatic Analysis: Shakespeare	S1		pdf	Drama	OB		75	3	2h	To enroll in the subject of "Dramatic Analysis: Shakespeare it will be necessary to have passed, previously,History and theory of dramatic literature 3 i ofHistory and theory of dramatic literature 4.
ESAD_0303 Dramatic Analysis: Beckett		S2	pdf	Drama	OB		75	3	2h	To enroll in the subject of "Dramatic Analysis: Beckett It must also have been enrolled in the subject of "Dramatic Analysis: Shakespeare.
ESAD_0304 Aesthetics	S1		pdf	Aesthetics	OB		75	3	2h	To enroll in the subject of "Aesthetics It will be necessary to have previously passed the subjects of Theory of show and communication 1 and from Theory of show and communication 2.
ESAD_0305 Latest trends		S2	pdf	Aesthetics	OB		75	3	2h	To enroll in the subject of "Latest trends It must also have been enrolled in the subject of "Aesthetics.
ESAD_0306 3 body training	1S		pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "3 body training it will be necessary to have passed, previously,2 body training id '1 body training.
ESAD_0307 4 body training		S2	pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "4 body training It must also have been enrolled in the subject of "3 body training.
ESAD_0308 Practices of interpretation 5	S1		pdf	Practices of interpretation	OB		87,5	3,5	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 5 It will be necessary to have previously passed the subjects of Practices of interpretation 3 and from Practices of interpretation 4.
ESAD_0309 Practices of interpretation 6		S2	pdf	Practices of interpretation	OB		87,5	3,5	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of Practices of interpretation 6 You must also have enrolled in the subject of Practices of interpretation 5.
ESAD_0310 5 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 5 interpretation systems It will be necessary to have previously passed the subjects of 3 interpretation systems and from 4 interpretation systems.
ESAD_0311 6 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 6 interpretation systems You must also have enrolled in the subject of 5 interpretation systems.
ESAD_0312 Oral expression and diction 5	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 5 it will be necessary to have passed, previously,Oral expression and diction 3 and from Oral expression and diction 4.
ESAD_0313 Oral expression and diction 6		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 6 It must also have been enrolled in the subject of "Oral expression and diction 5.
ESAD_0314 Individual sing 3	S1	S2	pdf	Musical theater technician	OP	Musical	50	2	30 '	To enroll in the subject of Individual sing 3 It will be necessary to have passed, previously, the subject of Individual sing 2.
ESAD_0315 Interpretation of 2 songs	S1	S2	pdf	Musical theater technician	OP	Musical	125	5	3h	To enroll in the subject of "Interpretation of 2 songs it will be necessary to have passed, previously,Interpretation of 1 songs, Musical language 2 and from Individual sing 2.
ESAD_0316 Musical language 3	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of Musical language 3 It will be necessary to have passed, previously, the subject of Musical language 2.
ESAD_0317 3 vocal technique	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of 3 vocal technique It will be necessary to have passed, previously, the subject of 2 vocal technique.
ESAD_0318 The actor in front of the 3 camera	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	125	5	3h	To enroll in the subject of The actor in front of the 3 camera It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera.
ESAD_0319 The actor in front of the 4 camera		S2	pdf	Technique for cinema and TV	OP	Cinema and TV	125	5	3h	To enroll in the subject of The actor in front of the 4 camera You must also have enrolled in the subject of The actor in front of the 3 camera.
ESAD_0320 1 camera practice	S1	S2	pdf	Technique for cinema and TV	OP	Cinema and TV	75	3	To determinate	To enroll in the subject of 1 camera practice It will be necessary to have previously passed the subjects of The actor in front of the 1 camera and from The actor in front of the 2 camera.
FOURTH YEAR
ESAD_0401 Pedagogy of the theater	S1	S2	pdf	Pedagogy	FB		100	4	2h	To enroll in the subject of Pedagogy of the theater It will be necessary to have previously passed all the credits of the subjects of *Basic Training* first, second and third courses.
ESAD_0402 Makeup		S2	pdf	Character design	OB		75	3	2h	To enroll in the subject of Makeup All credits (180 ECTS) of the first, second and third year subjects must have been previously passed.
ESAD_0403 Changing room		S2	pdf	Character design	OB		75	3	3h	To enroll in the subject of Changing room All credits (180 ECTS) of the first, second and third year subjects must have been previously passed.
ESAD_0404 Dramatology applied	S1		pdf	Drama	OB		100	4	3h	To enroll in the Dramatology applied All credits (180 ECTS) of the first, second and third year subjects will have to be previously passed, and they must also be enrolled in the subject of End of career work.
ESAD_0405 Scenic and scenic direction	S1		pdf	Staging	OB		150	6	3h	There are no prerequisites for enrollment.
ESAD_0406 Physical theater	S1		pdf	Moviment	OB		75	3	3h	To enroll in the subject of Physical theater It will be necessary to have previously passed all the credits of the subject matter of *Moviment* first, second and third courses.
ESAD_0407 Free creation practice		S2	pdf	Moviment	OB		75	3	3h	To enroll in the subject of Free creation practice You must also have enrolled in the subject of Physical theater.
ESAD_0408 7 / Audition interpretation systems	S1		pdf	Systems of interpretation	OB		200	8	3h + 3h	To enroll in 'the subject of Interpretation Systems 7 / Hearing Before completing all the subjects of the first, second and third courses, and having passed all the credits of the subject *Interpretation systems*
ESAD_0409 Oral expression and diction 7	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 7 All credits of the subject must be previously passed *Oral expression*
ESAD_0410 Casting and videobook		S2	pdf	Artistic promotion	OP	Musical / Cinema and TV	100	4	3h	To enroll in the "Casting and video book" course, you must first have taken all the subjects of the first, second and third courses and passed all the credits of the subject Interpretation Systems
ESAD_0411 Interpretation of songs 3 / Listen	S1		pdf	Musical theater technician	OP	Musical	100	4	3h	To enroll in the subject of "Interpretation of songs 3 / Listen Previously, the credits of the subjects must be passed: interpretation of 2 songs, 3 vocal technique, individual singing 3 and musical language 2, as well as all the credits of the subject *Interpretation systems*
ESAD_0412 2 camera practice	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	100	4	To determinate	To enroll in the subject of 2 camera practice It will be necessary to have passed, previously, the subject of 1 camera practice.
ESAD_0422 Interpretation Degree Final Thesis		S2		Final work	TF		375	15	3h + 3h + 3h + 3h + 3h	To enroll in the subject of Interpretation Degree Final Thesis must have previously passed all the subjects of Basic training i Mandatory first, second and third year.

Schedules and calendars

24_25_General calendar DEGREE

24_25_GRAU_INT_HOURS_1st

24_25_GRAU_INT_HOURS_2n

24_25_GRAU_INT_HOURS_3st

24_25_GRAU_INT_HOURS_4t

Access and specific test

Information at this link: www.eolia.cat/oferta-formativa/prova-dacces/

Teaching team

Head of specialty: Josep Galindo

Director of Studies: Nuria Sánchez

Course tutors:

1st – Mariona Esplugues
2nd – Ángeles Sánchez
3rd – Nuria Sánchez
4th – Josep Galindo

Internship tutors 1st semester:

1st – Tony Casla and Pablo Ley
2nd – Oriol Morales
3rd – Carla Torres

Internship tutors 2nd semester:

1st – Tony Casla and Josep Galindo
2nd – Barbara Becker
3rd – Carla Torres

Adrià Aguilera CV

204_History and theory of dramatic literature 3
205_History and theory of dramatic literature 4
210_Practical practices 4
Shakespeare 's Dramatic Analysis

Cristina Blanco CV

105_Cant individual 1
208_Cant individual 2
217_2 vocal technique
314_Cant indv. 3

Sebastià Bover CV

101_History of the performing arts 1
122_Learn music 1

Tony Casla CV

109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2

Marion Castillo CV

409_Oral expression and diction 7

Núria Corominas CV

304_Aesthetics

Tony Corvillo CV

Erasmus_Camera practice 1
Erasmus_Acting for camera
Erasmus_Staging and theater directing

Mariona Esplugues. Head of the Oral Expression department

Mariona Esplugues CV

108_1 vocal technique
313_Oral expression and diction 6
401_Pedagogy of the theater

Aleix Fauró CV

404_Applied dramaturgy TFG
422_TFG_Interpretation

Anna Feu CV

208_Scenic singing 2
314_Scenic singing 3

Roberto Fratini CV

305_Latest trends

Joseph Galindo Co-founder Head of specialty and of the Interpretation department

Josep Galindo CV

405_Scene rating and direction
408_Introduction systems 7
410_Casting and videobook

José Pedro Garcia CV

211_Introduction systems 3
212_Introduction systems 4

Teresa García Valenzuela CV

406_Physical theater

Sam Gillett CV

311_Interpretation systems 6 (International)

Berta Giraut CV

409_Oral expression and diction 7

Cristina Goñi CV

206_Body training 1
207_Body training 2

Oriol Guinart CV

113_Oral expression 1
114_Oral expression 2
213_Oral expression and diction 3
214_Oral expression and diction 4

Núria Inglada CV

213_Oral expression and diction 3
409_Oral expression and diction 7

Gisela Juanet CV

301_Theatrical production

Pablo Ley. Head of specialty and of the Dramaturgy and Stage Direction department

Pablo Ley CV

102_History and theory of dramatic literature 1

Núria Llausí CV

404_Applied dramaturgy TFG

Gustavo Llull CV

106_Singing laboratory
315_Interpretation of 2 songs
408_Interpretation systems 7/Hearing
411_Interpretation of songs 3/Audition

Ferran Madico CV

211_Introduction systems 3
212_Introduction systems 4

Alex Mañas CV

218_Interpretation in front of the camera 1
310_Introduction systems 5
311_Introduction systems 6
319_Interpretation in front of the camera 4
320_1 Camera Practitioner
410_Casting and videobook
412_2 Camera Practitioner

Míriam Marcet CV

313_Oral expression and diction 6

Eli Marcos CV

104_Techniques of body knowledge

Arnau Marín CV

406_Physical theater
407_Practice of free creation

Davo Marín CV

211_Introduction systems 3
212_Introduction systems 4

Nil Martin CV

310_Interpretation systems 5 Daulte
408_Interpretation systems 7/Daulte Hearing

Núria Masip CV

106_Singing laboratory
208_Scenic singing 2
314_Scenic singing 3

Anna Mateo CV

208_Cant individual 2
314_Scenic singing 3

Mar Medina CV

104_Techniques of body knowledge

Monegasque Sea Head of the Planter Area. interpretation

Sea Monegal CV

111_Introduction systems 1
310_Introduction systems 5

Albert Mora CV

411_Individual singing / Audition

Oriol Morales and Pujolar CV

209_Practical practices 3

Asier Olabarrieta CV

215_Interpretation of 1 songs
216_Learn music 2
315_Interpretation of 2 songs

Raul Perales. Theatrical production and Dramaturgy

Raül Perales CV

301_Theatrical production

David Pinto Head of the Musical Theater department

David Pintó CV

215_Interpretation of 1 songs
315_Interpretation of 2 songs

Carme Poll CV

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

Mario Rebugent CV

404_Applied dramaturgy TFG

Marc Ribera CV

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

Montse Rodríguez CV

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

Sonia Rodríguez CV

105_Cant indv. 1
208_Cant indv. 2
314_Cant indv. 3
317_3 vocal technique

Carla Rovira CV

404_Applied dramaturgy TFG
422_TFG_Interpretation

Clara Sallago CV

105_Cant indv. 1

Angels Sanchez CV

111_Introduction systems 1
112_Introduction systems 2
213_Oral expression and diction 3
214_Oral expression and diction 4
312_Oral expression and diction 5
408_Interpretation systems 7 Hearing
411_Interpretation of songs 3 Audition

Nuria Sánchez CV

107_Learn music 1
316_Learn music 3
401_Pedagogy of the theater

Jaime C. Segura CV

214_Oral expression and diction 4
312_Oral expression and diction 5

Marta Tirado CV

101_History of the performing arts 1
103_History and theory of dramatic literature 2
303_Dramaturgical analysis_Beckett

Aina Torné CV

307_Body training 4

Martí Torras CV

221_Direction of actors 2
404_Applied dramaturgy TFG
422_TFG_Interpretation

Carla Torres CV

111_Introduction systems 1
112_Introduction systems 2
308_5 staging practices
309_Practical practices 6
310_Introduction systems 5
311_Introduction systems 6

Martina Tosticarelli. Interpretation and Direction

Martina Tosticarelli CV

101_History and theory of dramatic literature 1
202_Theory of the show and communication 1
203_Theory of the show and communication 2

Georgia Vardarou CV

407_Practice of free creation

Alícia Verdés. Interpretation and camera

Alicia Verdes CV

112_Introduction systems 2
219_Interpretation in front of the camera 2

Ana Sabina Vergara Make-up and costumes.

Ana Sabina Vergara CV

402_Makeup
403_Video

Sadurní Vergés CV

201_History of the performing arts 2
302_Dramaturgical analysis Shakespeare

Toni Vives CV

Concentration: Acting

DEGREE IN DRAMATIC ART: Specialty Interpretation

Academic information

Optional mentions

Cinema and television

Musical theater

Curriculum

Subjects

FIRST YEAR

SECOND YEAR

THIRD YEAR

FOURTH YEAR

Schedules and calendars

Access and specific test

Teaching team

315_Interpretation of 2 songs

306_Body training 407_Practice of free creation

305_Latest trends

204_History and theory of dramatic literature 3 205_History and theory of dramatic literature 4 210_Practical practices 4 Shakespeare 's Dramatic Analysis

105_Cant individual 1 208_Cant individual 2 217_2 vocal technique 314_Cant indv. 3

101_History of the performing arts 1 122_Learn music 1

109_Practical practices 1 110_Practical practices 2 201_History of the performing arts 2

409_Oral expression and diction 7

304_Aesthetics

Erasmus_Camera practice 1 Erasmus_Acting for camera Erasmus_Staging and theater directing

108_1 vocal technique 313_Oral expression and diction 6 401_Pedagogy of the theater

404_Applied dramaturgy TFG 422_TFG_Interpretation

208_Scenic singing 2 314_Scenic singing 3

305_Latest trends

405_Scene rating and direction 408_Introduction systems 7 410_Casting and videobook

211_Introduction systems 3 212_Introduction systems 4

406_Physical theater

311_Interpretation systems 6 (International)

409_Oral expression and diction 7

206_Body training 1 207_Body training 2

113_Oral expression 1 114_Oral expression 2 213_Oral expression and diction 3 214_Oral expression and diction 4

213_Oral expression and diction 3 409_Oral expression and diction 7

301_Theatrical production

102_History and theory of dramatic literature 1

404_Applied dramaturgy TFG

106_Singing laboratory 315_Interpretation of 2 songs 408_Interpretation systems 7/Hearing 411_Interpretation of songs 3/Audition

211_Introduction systems 3 212_Introduction systems 4

218_Interpretation in front of the camera 1 310_Introduction systems 5 311_Introduction systems 6 319_Interpretation in front of the camera 4 320_1 Camera Practitioner 410_Casting and videobook 412_2 Camera Practitioner

313_Oral expression and diction 6

104_Techniques of body knowledge

406_Physical theater 407_Practice of free creation

211_Introduction systems 3 212_Introduction systems 4

310_Interpretation systems 5 Daulte 408_Interpretation systems 7/Daulte Hearing

106_Singing laboratory 208_Scenic singing 2 314_Scenic singing 3

208_Cant individual 2 314_Scenic singing 3

104_Techniques of body knowledge

111_Introduction systems 1 310_Introduction systems 5

411_Individual singing / Audition

209_Practical practices 3

215_Interpretation of 1 songs 216_Learn music 2 315_Interpretation of 2 songs

301_Theatrical production

215_Interpretation of 1 songs 315_Interpretation of 2 songs

311_Interpretation systems 6 Daulte 408_Interpretation systems 7 Daulte audition

404_Applied dramaturgy TFG

311_Interpretation systems 6 Daulte 408_Interpretation systems 7 Daulte audition

311_Interpretation systems 6 Daulte 408_Interpretation systems 7 Daulte audition

105_Cant indv. 1 208_Cant indv. 2 314_Cant indv. 3 317_3 vocal technique

404_Applied dramaturgy TFG 422_TFG_Interpretation

105_Cant indv. 1

111_Introduction systems 1 112_Introduction systems 2 213_Oral expression and diction 3 214_Oral expression and diction 4 312_Oral expression and diction 5 408_Interpretation systems 7 Hearing 411_Interpretation of songs 3 Audition

107_Learn music 1 316_Learn music 3 401_Pedagogy of the theater

214_Oral expression and diction 4 312_Oral expression and diction 5

101_History of the performing arts 1 103_History and theory of dramatic literature 2 303_Dramaturgical analysis_Beckett

307_Body training 4

221_Direction of actors 2 404_Applied dramaturgy TFG 422_TFG_Interpretation

111_Introduction systems 1 112_Introduction systems 2 308_5 staging practices 309_Practical practices 6 310_Introduction systems 5 311_Introduction systems 6

101_History and theory of dramatic literature 1 202_Theory of the show and communication 1 203_Theory of the show and communication 2

407_Practice of free creation

112_Introduction systems 2 219_Interpretation in front of the camera 2

402_Makeup 403_Video

201_History of the performing arts 2 302_Dramaturgical analysis Shakespeare

318_Interpretation in front of the camera 3

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306_Body training
407_Practice of free creation

204_History and theory of dramatic literature 3
205_History and theory of dramatic literature 4
210_Practical practices 4
Shakespeare 's Dramatic Analysis

105_Cant individual 1
208_Cant individual 2
217_2 vocal technique
314_Cant indv. 3

101_History of the performing arts 1
122_Learn music 1

109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2

Erasmus_Camera practice 1
Erasmus_Acting for camera
Erasmus_Staging and theater directing

108_1 vocal technique
313_Oral expression and diction 6
401_Pedagogy of the theater

404_Applied dramaturgy TFG
422_TFG_Interpretation

208_Scenic singing 2
314_Scenic singing 3

405_Scene rating and direction
408_Introduction systems 7
410_Casting and videobook

211_Introduction systems 3
212_Introduction systems 4

206_Body training 1
207_Body training 2

113_Oral expression 1
114_Oral expression 2
213_Oral expression and diction 3
214_Oral expression and diction 4

213_Oral expression and diction 3
409_Oral expression and diction 7

106_Singing laboratory
315_Interpretation of 2 songs
408_Interpretation systems 7/Hearing
411_Interpretation of songs 3/Audition

211_Introduction systems 3
212_Introduction systems 4

218_Interpretation in front of the camera 1
310_Introduction systems 5
311_Introduction systems 6
319_Interpretation in front of the camera 4
320_1 Camera Practitioner
410_Casting and videobook
412_2 Camera Practitioner

406_Physical theater
407_Practice of free creation

211_Introduction systems 3
212_Introduction systems 4

310_Interpretation systems 5 Daulte
408_Interpretation systems 7/Daulte Hearing

106_Singing laboratory
208_Scenic singing 2
314_Scenic singing 3

208_Cant individual 2
314_Scenic singing 3

111_Introduction systems 1
310_Introduction systems 5

215_Interpretation of 1 songs
216_Learn music 2
315_Interpretation of 2 songs

215_Interpretation of 1 songs
315_Interpretation of 2 songs

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

105_Cant indv. 1
208_Cant indv. 2
314_Cant indv. 3
317_3 vocal technique

404_Applied dramaturgy TFG
422_TFG_Interpretation

111_Introduction systems 1
112_Introduction systems 2
213_Oral expression and diction 3
214_Oral expression and diction 4
312_Oral expression and diction 5
408_Interpretation systems 7 Hearing
411_Interpretation of songs 3 Audition

107_Learn music 1
316_Learn music 3
401_Pedagogy of the theater

214_Oral expression and diction 4
312_Oral expression and diction 5

101_History of the performing arts 1
103_History and theory of dramatic literature 2
303_Dramaturgical analysis_Beckett

221_Direction of actors 2
404_Applied dramaturgy TFG
422_TFG_Interpretation

111_Introduction systems 1
112_Introduction systems 2
308_5 staging practices
309_Practical practices 6
310_Introduction systems 5
311_Introduction systems 6

101_History and theory of dramatic literature 1
202_Theory of the show and communication 1
203_Theory of the show and communication 2

112_Introduction systems 2
219_Interpretation in front of the camera 2

402_Makeup
403_Video

201_History of the performing arts 2
302_Dramaturgical analysis Shakespeare