Degree in EAS of Dramatic Art

DEGREE IN DRAMATIC ART: Specialty Interpretation

Academic information

Optional tours

CINEMA AND TELEVISION

You will explore in depth your records and interpretive qualities. You will learn techniques for acting in front of the camera and on stage, as well as preparing for castings and auditions. During your training, you will generate audiovisual material and you can learn to make your own videobook. The camera practices are carried out in association with universities and specialized centers, in order to put you in contact with future film directors. Recommended tour if you have a special interest in exploring and discovering your qualities in front of the camera.

MUSICAL THEATER

If you like musical theater this is your route. An eminently practical training where you will work on your body and voice, and you will train as an interpreter and singer. The program includes individual singing lessons, song interpretation, dance work and many other fundamental subjects to develop your instrument to the maximum. It is, without a doubt, the route that maximizes all your qualities and records, and makes a special one emphasis on the singing voice.
Indicated for people who feel passion for music and that you want to be musical theater performers.

THEATRE DIRECTING AND DRAMATURGY

If you have the heart divided between the two specialties that we offer, this is your route. You have the option of taking courses in the Stage Direction and Dramaturgy specialty as electives. Thus, apart from achieving a deep interpretive training and working on your acting potential in the field of theatre, you will learn to to write stories, to build characters and to project theatrical shows. You will have the opportunity to put your projects into practice and carry them out stage management practices with performers. Channel your imagination on and off stage!

For privacy reasons YouTube needs your permission to be loaded. For more details, please see us Privacy policy.

Curriculum

No. of courses	No. of credits
4	240

Character	ECTS Credits
Basic shape	22
Mandatory form	185
Optional form	33
Total	240

Subjects	Crèdits ECTS	1r	2n	3r	4t	pdf
Character design	6	-	-	-	6	pdf
Drama	10	-	-	6	4	pdf
Aesthetics	6	-	-	6	-	pdf
History of the performing arts	8	4	4	-	-	pdf
History and theory of dramatic literature	12	6	6	-	-	pdf
Moviment	24	6	6	6	6	pdf
Music and scene	17	17	-	-	-	pdf
Pedagogy	4	-	-	-	4	pdf
Practices of interpretation	22	9	6	7	-	pdf
Production and management	4	-	-	4	-	pdf
Artistic promotion	4	-	-	-	4	pdf
Systems of interpretation	44	12	12	12	8	pdf
Musical theater technician	31	-	14	13	4	pdf
Technique for cinema and television	29	-	12	13	4	pdf
Theory of entertainment and communication	6	-	6	-	-	pdf
Final year project	15	-	-	-	15	pdf
Oral expression	23	6	8	6	3	pdf
Total ECTS credits	240	60	60	60	60

Subjects

Prerequisites for enrollment

Having studied a subject does not imply having passed but yes, having enrolled.
Having passed a subject means having passed and passed.

Code / Subject	Semester		Card	Subject matter	Type	Mention	Hours	Crèdits	h / set.	Prerequisites for enrollment
FIRST YEAR
ESAD_0101 History of the performing arts 1	S1	S2	pdf	History of the performing arts	FB		100	4	2h	There are no prerequisites for enrollment.
ESAD_0102 History and theory of dramatic literature 1	S1		pdf	History and theory of dramatic literature	OB		75	3	2h	There are no prerequisites for enrollment.
ESAD_0103 History and theory of dramatic literature 2		S2	pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 2 It must also have been enrolled in the subject of "History and theory of dramatic literature 1.
ESAD_0104 Corporal knowledge techniques	S1	S2	pdf	Moviment	OB		150	6	TWOXXXXXXXXXXXXXXXXXX	There are no prerequisites for enrollment.
ESAD_0105 Stage singing 1	S1	S2	pdf	Music and scene	OB		50	2	40 '	There are no prerequisites for enrollment.
ESAD_0106 Cant lab	S1	S2	pdf	Music and scene	OB		100	4	1h30	There are no prerequisites for enrollment.
ESAD_0107 Musical language 1	S1	S2	pdf	Music and scene	OB		150	6	1h30	There are no prerequisites for enrollment.
ESAD_0108 Vocal knowledge techniques	S1	S2	pdf	Music and scene	OB		125	5	1h30	There are no prerequisites for enrollment.
ESAD_0109 Practices of interpretation 1	S1		pdf	Practices of interpretation	OB		112,5	4,5	To determinate	There are no prerequisites for enrollment.
ESAD_0110 Practices of interpretation 2		S2	pdf	Practices of interpretation	OB		112,5	4,5	To determinate	To enroll in the subject of Practices of interpretation 2 You must also have enrolled in the subject of Practices of interpretation 1.
ESAD_0111 1 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	There are no prerequisites for enrollment.
ESAD_0112 2 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 2 interpretation systems You must also have enrolled in the subject of 1 interpretation systems.
ESAD_0113 Oral expression and diction 1	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	There are no prerequisites for enrollment.
ESAD_0114 Oral expression and diction 2		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 2 It must also have been enrolled in the subject of "Oral expression and diction 1.
SECOND YEAR
ESAD_0201 History of the performing arts 2	S1	S2	pdf	History of the performing arts	FB		100	4	2h	To enroll in the subject of "History of the performing arts 2 It is necessary to have passed, previously,History of the performing arts 1.
ESAD_0202 Theory of show and communication 1	S1		pdf	Theory of entertainment and communication	FB		75	3	2h	There are no prerequisites for enrollment.
ESAD_0203 Theory of show and communication 2		S2	pdf	Theory of entertainment and communication	FB		75	3	2h	To enroll in the subject of Theory of show and communication 2 You must also have enrolled in the subject of Theory of show and communication 1.
ESAD_0204 History and theory of dramatic literature 3	S1		pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 3 it will be necessary to have passed, previously, History and theory of dramatic literature 1 i ofHistory and theory of dramatic literature 2.
ESAD_0205 History and theory of dramatic literature 4		S2	pdf	History and theory of dramatic literature	OB		75	3	2h	To enroll in the subject of "History and theory of dramatic literature 4 It must also have been enrolled in the subject of "History and theory of dramatic literature 3.
ESAD_0206 1 body training	S1		pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "1 body training It will be necessary to have passed, previously, the subject of Body knowledge techniques.
ESAD_0207 2 body training		S2	pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "2 body training It must also have been enrolled in the subject of "1 body training.
ESAD_0208 Stage singing 2	S1	S2	pdf	Musical theater technician	OP	Musical	50	2	30 '	To enroll in the subject of Stage singing 2 It will be necessary to have previously passed the subjects of Cant lab, Musical language 1 and from Stage singing 1. And you must be admitted (specific test) to the Musical Theater course.
ESAD_0209 Practices of interpretation 3	S1		pdf	Practices of interpretation	OB		75	3	To determinate	To enroll in the subject of Practices of interpretation 3 It will be necessary to have previously passed the subjects of Practices of interpretation 1 and from Practices of interpretation 2 i 1 and 2 Interpretation Systems.
ESAD_0210 Practices of interpretation 4		S2	pdf	Practices of interpretation	OB		75	3	To determinate	To enroll in the subject of Practices of interpretation 4 You must also have enrolled in the subject of Practices of interpretation 3.
ESAD_0211 3 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 3 interpretation systems It will be necessary to have previously passed the subjects of 1 interpretation systems and from 2 interpretation systems.
ESAD_0212 4 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 4 interpretation systems You must also have enrolled in the subject of 3 interpretation systems.
ESAD_0213 Oral expression and diction 3	S1		pdf	Oral expression	OB		100	4	1h30 + 1h30+1h30	To enroll in the subject of "Oral expression and diction 3 must have previously taken and passed the subjects of 1 and 2 interpretation systems.
ESAD_0214 Oral expression and diction 4		S2	pdf	Oral expression	OB		100	4	1h30 + 1h30+1h30	To enroll in the subject of "Oral expression and diction 4 It must also have been enrolled in the subject of "Oral expression and diction 3.
ESAD_0215 Interpretation of 1 songs	S1	S2	pdf	Musical theater technician	OP	Musical	150	6	3h	To enroll in the subject of "Interpretation of 1 songs you must have previously passed the subjects of Cant lab, Musical language 1 and from Stage singing 1. And you must be admitted (specific test) to the Musical Theater course.
ESAD_0216 Musical language 2	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of Musical language 2 It will be necessary to have passed, previously, the subject of Musical language 1.
ESAD_0217 1 vocal technique	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	There are no prerequisites for enrollment.
ESAD_0218 Interpretation in front of the camera 1	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	150	6	3h	To enroll in the subject of "Interpretation in front of the camera 1 It will be necessary to have previously passed the subjects of 1 interpretation systems and from Interpretation systems 2.
ESAD_0219 Interpretation in front of the camera 2		S2	pdf	Technique for cinema and TV	OP	Cinema and TV	150	6	3h	To enroll in the subject of "Interpretation in front of the camera 2 It must also have been enrolled in the subject of "Interpretation in front of the camera 1.
THIRD YEAR
ESAD_0301 Theatrical production	S1	S2	pdf	Production and management	FB		100	4	2h	To enroll in the subject of Theatrical production It will be necessary to have previously passed all the credits of the subjects of *Basic Training* of first and second course.
ESAD_0302 Dramatic Analysis: Shakespeare	S1		pdf	Drama	OB		75	3	2h	To enroll in the subject of "Dramatic Analysis: Shakespeare it will be necessary to have passed, previously,History and theory of dramatic literature 3 i ofHistory and theory of dramatic literature 4.
ESAD_0303 Dramatic Analysis: Beckett		S2	pdf	Drama	OB		75	3	2h	To enroll in the subject of "Dramatic Analysis: Beckett It must also have been enrolled in the subject of "Dramatic Analysis: Shakespeare.
ESAD_0304 Aesthetics	S1		pdf	Aesthetics	OB		75	3	2h	To enroll in the subject of "Aesthetics It will be necessary to have previously passed the subjects of Theory of show and communication 1 and from Theory of show and communication 2.
ESAD_0305 Latest trends		S2	pdf	Aesthetics	OB		75	3	2h	To enroll in the subject of "Latest trends It must also have been enrolled in the subject of "Aesthetics.
ESAD_0306 3 body training	S1		pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "3 body training it will be necessary to have passed, previously,2 body training id '1 body training.
ESAD_0307 4 body training		S2	pdf	Moviment	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "4 body training It must also have been enrolled in the subject of "3 body training.
ESAD_0308 Practices of interpretation 5	S1		pdf	Practices of interpretation	OB		87,5	3,5	To determinate	To enroll in the subject of Practices of interpretation 5 It will be necessary to have previously passed the subjects of Practices of interpretation 3 and from Practices of interpretation 4.
ESAD_0309 Practices of interpretation 6		S2	pdf	Practices of interpretation	OB		87,5	3,5	To determinate	To enroll in the subject of Practices of interpretation 6 You must also have enrolled in the subject of Practices of interpretation 5.
ESAD_0310 5 interpretation systems	S1		pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 5 interpretation systems It will be necessary to have previously passed the subjects of 3 interpretation systems and from 4 interpretation systems.
ESAD_0311 6 interpretation systems		S2	pdf	Systems of interpretation	OB		150	6	3h + 3h	To enroll in the subject of 6 interpretation systems You must also have enrolled in the subject of 5 interpretation systems.
ESAD_0312 Oral expression and diction 5	S1		pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 5 it will be necessary to have passed, previously,Oral expression and diction 3 i ofOral expression and diction 4.
ESAD_0313 Oral expression and diction 6		S2	pdf	Oral expression	OB		75	3	TWOXXXXXXXXXXXXXXXXXX	To enroll in the subject of "Oral expression and diction 6 It must also have been enrolled in the subject of "Oral expression and diction 5.
ESAD_0314 Stage singing 3	S1	S2	pdf	Musical theater technician	OP	Musical	50	2	40 '	To enroll in the subject of Stage singing 3 It will be necessary to have passed, previously, the subject of Stage singing 2.
ESAD_0315 Interpretation of 2 songs	S1	S2	pdf	Musical theater technician	OP	Musical	125	5	3h	To enroll in the subject of "Interpretation of 2 songs it will be necessary to have passed, previously,Interpretation of 1 songs and from Stage singing 2.
ESAD_0316 Musical language 3	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of Musical language 3 It will be necessary to have passed, previously, the subject of Musical language 2.
ESAD_0317 2 vocal technique	S1	S2	pdf	Musical theater technician	OP	Musical	75	3	1h30	To enroll in the subject of 2 vocal technique It will be necessary to have passed, previously, the subject of 1 vocal technique.
ESAD_0318 Interpretation in front of the camera 3	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	125	5	3h	To enroll in the subject of "Interpretation in front of the camera 3 it will be necessary to have passed, previously,Interpretation in front of the camera 1 i ofInterpretation in front of the camera 2.
ESAD_0319 Interpretation in front of the camera 4		S2	pdf	Technique for cinema and TV	OP	Cinema and TV	125	5	3h	To enroll in the subject of "Interpretation in front of the camera 4 It must also have been enrolled in the subject of "Interpretation in front of the camera 3.
ESAD_0320 1 camera practice	S1	S2	pdf	Technique for cinema and TV	OP	Cinema and TV	75	3	To determinate	To enroll in the subject of 1 camera practice it will be necessary to have passed, previously,Interpretation in front of the camera 1 i ofInterpretation in front of the camera 2.
FOURTH YEAR
ESAD_0401 Pedagogy of the theater	S1	S2	pdf	Pedagogy	FB		100	4	2h	To enroll in the subject of Pedagogy of the theater It will be necessary to have previously passed all the credits of the subjects of *Basic Training* first, second and third courses.
ESAD_0402 Makeup		S2	pdf	Character design	OB		75	3	2h	To enroll in the subject of Makeup you must have previously passed all first, second and third year FB and OB credits. And having enrolled, also, in the subject of Final grade.
ESAD_0403 Changing room		S2	pdf	Character design	OB		75	3	2h	To enroll in the subject of Changing room you must have previously passed all first, second and third year FB and OB credits. And having enrolled, also, in the subject of Final grade.
ESAD_0404 Dramatology applied	S1		pdf	Drama	OB		100	4	3h	To enroll in the Dramatology applied you must have previously passed all first, second and third year FB and OB credits. And having enrolled, also, in the subject of Degree thesis.
ESAD_0405 Scenic and scenic direction	S1		pdf	Staging	OB		150	6	3h	To enroll in the subject of "Scenic and scenic direction you must have previously passed all the credits of the subject Drama first year
ESAD_0406 Physical theater	S1		pdf	Moviment	OB		75	3	3h	To enroll in the subject of Physical theater It will be necessary to have previously passed all the credits of the subject matter of *Moviment* first, second and third courses.
ESAD_0407 Free creation practice		S2	pdf	Moviment	OB		75	3	To determinate	To enroll in the subject of Free creation practice You must also have enrolled in the subject of Degree thesis.
ESAD_0408 7 / Audition interpretation systems	S1		pdf	Systems of interpretation	OB		200	8	3h + 3h	To enroll in the subject of Interpretation Systems 7 / Hearing you must have previously passed all the credits of the subject Interpretation systems first, second and third courses.
ESAD_0409 Oral expression and diction 7	S1		pdf	Oral expression	OB		75	3	To determinate	To enroll in the subject of "Oral expression and diction 7 All credits of the subject must be previously passed *Oral expression* first, second and third courses.
ESAD_0410 Casting and videobook		S2	pdf	Artistic promotion	OP	Musical / Cinema and TV	100	4	2h	To enroll in the subject of Casting and videobook you must have previously passed all the credits of the subject Interpretation systems first, second and third courses.
ESAD_0411 Interpretation of songs 3 / Listen	S1		pdf	Musical theater technician	OP	Musical	100	4	2h + Individual sessions	To enroll in the subject of "Interpretation of songs 3 / Listen you must have previously passed the credits of the subjects: Song Interpretation 2, Vocal Technique 2, Stage Singing 3 and Musical Language 2, as well as all the credits in the subject Interpretation systems first, second and third courses.
ESAD_0412 2 camera practice	S1		pdf	Technique for cinema and TV	OP	Cinema and TV	100	4	To determinate	To enroll in the subject of 2 camera practice It will be necessary to have passed, previously, the subject of 1 camera practice.
ESAD_0422 Final Degree Project		S2		Final work	TF		375	15	3pm + 3pm + 3pm + 3pm	To enroll in the subject of Final grade you must have previously passed all first, second and third year FB and OB credits, as well as the subject Interpretation Systems 7/Hearing.

Schedules and calendars

24_25_General calendar DEGREE

24_25_GRAU_INT_HOURS_1st

24_25_GRAU_INT_HOURS_2n

24_25_GRAU_INT_HOURS_3st

24_25_GRAU_INT_HOURS_4t

Access and specific test

Information at this link: www.eolia.cat/oferta-formativa/prova-dacces/

Teaching team

Head of specialty: Josep Galindo

Director of Studies: Nuria Sánchez

Course tutors:

1st – Mariona Esplugues
2nd – Ángeles Sánchez
3rd – Nuria Sánchez
4th – Josep Galindo

Internship tutors 1st semester:

1st – Tony Casla and Pablo Ley
2nd – Oriol Morales
3rd – Carla Torres

Internship tutors 2nd semester:

1st – Tony Casla and Josep Galindo
2nd – Barbara Becker
3rd – Carla Torres

Adrià Aguilera CV

204_History and theory of dramatic literature 3
205_History and theory of dramatic literature 4
210_Practical practices 4
Shakespeare 's Dramatic Analysis

Cristina Blanco CV

105_Scenic singing 1
208_Cant individual 2
217_2 vocal technique
314_Scenic singing 3

Sebastià Bover CV

101_History of the performing arts 1
122_Learn music 1

Tony Casla CV

109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2

Marion Castillo CV

409_Oral expression and diction 7

Núria Corominas CV

304_Aesthetics

Tony Corvillo CV

Erasmus_Camera practice 1
Erasmus_Acting for camera
Erasmus_Staging and theater directing

Mariona Esplugues. Head of the Oral Expression department

Mariona Esplugues CV

108_1 vocal technique
313_Oral expression and diction 6
401_Pedagogy of the theater

Aleix Fauró CV

404_Applied dramaturgy TFG
422_TFG_Interpretation

Anna Feu CV

208_Scenic singing 2
314_Scenic singing 3

Roberto Fratini CV

305_Latest trends

Joseph Galindo Co-founder Head of specialty and of the Interpretation department

Josep Galindo CV

405_Scene rating and direction
408_Introduction systems 7
410_Casting and videobook

José Pedro Garcia CV

211_Introduction systems 3
212_Introduction systems 4

Teresa García Valenzuela CV

406_Physical theater

Sam Gillett CV

311_Interpretation systems 6 (International)

Berta Giraut CV

409_Oral expression and diction 7

Cristina Goñi CV

206_Body training 1
207_Body training 2

Oriol Guinart CV

113_Oral expression 1
114_Oral expression 2
213_Oral expression and diction 3
214_Oral expression and diction 4

Núria Inglada CV

213_Oral expression and diction 3
409_Oral expression and diction 7

Gisela Juanet CV

301_Theatrical production

Pablo Ley. Head of specialty and of the Dramaturgy and Stage Direction department

Pablo Ley CV

102_History and theory of dramatic literature 1

Núria Llausí CV

404_Applied dramaturgy TFG

Gustavo Llull CV

106_Singing laboratory
315_Interpretation of 2 songs
408_Interpretation systems 7/Hearing
411_Interpretation of songs 3/Audition

Ferran Madico CV

211_Introduction systems 3
212_Introduction systems 4

Alex Mañas CV

218_Interpretation in front of the camera 1
310_Introduction systems 5
311_Introduction systems 6
319_Interpretation in front of the camera 4
320_1 Camera Practitioner
410_Casting and videobook
412_2 Camera Practitioner

Míriam Marcet CV

313_Oral expression and diction 6

Eli Marcos CV

104_Techniques of body knowledge

Arnau Marín CV

406_Physical theater
407_Practice of free creation

Davo Marín CV

211_Introduction systems 3
212_Introduction systems 4

Nil Martin CV

310_Interpretation systems 5 Daulte
408_Interpretation systems 7/Daulte Hearing

Núria Masip CV

106_Singing laboratory
208_Scenic singing 2
314_Scenic singing 3

Anna Mateo CV

208_Scenic singing 2
314_Scenic singing 3

Mar Medina CV

104_Techniques of body knowledge

Monegasque Sea Head of the Planter Area. interpretation

Sea Monegal CV

111_Introduction systems 1
310_Introduction systems 5

Albert Mora CV

411_Interpretation of songs 3 / Audition

Oriol Morales and Pujolar CV

209_Practical practices 3

Asier Olabarrieta CV

215_Interpretation of 1 songs
216_Learn music 2
315_Interpretation of 2 songs

Raul Perales. Theatrical production and Dramaturgy

Raül Perales CV

301_Theatrical production

David Pinto Head of the Musical Theater department

David Pintó CV

215_Interpretation of 1 songs
315_Interpretation of 2 songs

Carme Poll CV

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

Mario Rebugent CV

404_Applied dramaturgy TFG

Marc Ribera CV

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

Montse Rodríguez CV

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

Sonia Rodríguez CV

105_Scenic singing 1
208_Scenic singing 2
314_Scenic singing 3
317_2 vocal technique

Carla Rovira CV

404_Applied dramaturgy TFG
422_TFG_Interpretation

Clara Sallago CV

105_Scenic singing 1

Angels Sanchez CV

111_Introduction systems 1
112_Introduction systems 2
213_Oral expression and diction 3
214_Oral expression and diction 4
312_Oral expression and diction 5
408_Interpretation systems 7 Hearing
411_Interpretation of songs 3 Audition

Nuria Sánchez CV

107_Learn music 1
316_Learn music 3
401_Pedagogy of the theater

Jaime C. Segura CV

214_Oral expression and diction 4
312_Oral expression and diction 5

Marta Tirado CV

101_History of the performing arts 1
103_History and theory of dramatic literature 2
303_Dramaturgical analysis_Beckett

Aina Torné CV

307_Body training 4

Martí Torras CV

221_Direction of actors 2
404_Applied dramaturgy TFG
422_TFG_Interpretation

Carla Torres CV

111_Introduction systems 1
112_Introduction systems 2
308_5 staging practices
309_Practical practices 6
310_Introduction systems 5
311_Introduction systems 6

Martina Tosticarelli. Interpretation and Direction

Martina Tosticarelli CV

101_History and theory of dramatic literature 1
202_Theory of the show and communication 1
203_Theory of the show and communication 2

Georgia Vardarou CV

407_Practice of free creation

Alícia Verdés. Interpretation and camera

Alicia Verdes CV

112_Introduction systems 2
219_Interpretation in front of the camera 2

Ana Sabina Vergara Make-up and costumes.

Ana Sabina Vergara CV

402_Makeup
403_Video

Sadurní Vergés CV

201_History of the performing arts 2
302_Dramaturgical analysis Shakespeare

Toni Vives CV

Concentration: Acting

DEGREE IN DRAMATIC ART: Specialty Interpretation

Academic information

Optional tours

CINEMA AND TELEVISION

MUSICAL THEATER

THEATRE DIRECTING AND DRAMATURGY

Curriculum

Subjects

FIRST YEAR

SECOND YEAR

THIRD YEAR

FOURTH YEAR

Schedules and calendars

Access and specific test

Teaching team

315_Interpretation of 2 songs

306_Body training 407_Practice of free creation

305_Latest trends

204_History and theory of dramatic literature 3 205_History and theory of dramatic literature 4 210_Practical practices 4 Shakespeare 's Dramatic Analysis

105_Scenic singing 1 208_Cant individual 2 217_2 vocal technique 314_Scenic singing 3

101_History of the performing arts 1 122_Learn music 1

109_Practical practices 1 110_Practical practices 2 201_History of the performing arts 2

409_Oral expression and diction 7

304_Aesthetics

Erasmus_Camera practice 1 Erasmus_Acting for camera Erasmus_Staging and theater directing

108_1 vocal technique 313_Oral expression and diction 6 401_Pedagogy of the theater

404_Applied dramaturgy TFG 422_TFG_Interpretation

208_Scenic singing 2 314_Scenic singing 3

305_Latest trends

405_Scene rating and direction 408_Introduction systems 7 410_Casting and videobook

211_Introduction systems 3 212_Introduction systems 4

406_Physical theater

311_Interpretation systems 6 (International)

409_Oral expression and diction 7

206_Body training 1 207_Body training 2

113_Oral expression 1 114_Oral expression 2 213_Oral expression and diction 3 214_Oral expression and diction 4

213_Oral expression and diction 3 409_Oral expression and diction 7

301_Theatrical production

102_History and theory of dramatic literature 1

404_Applied dramaturgy TFG

106_Singing laboratory 315_Interpretation of 2 songs 408_Interpretation systems 7/Hearing 411_Interpretation of songs 3/Audition

211_Introduction systems 3 212_Introduction systems 4

218_Interpretation in front of the camera 1 310_Introduction systems 5 311_Introduction systems 6 319_Interpretation in front of the camera 4 320_1 Camera Practitioner 410_Casting and videobook 412_2 Camera Practitioner

313_Oral expression and diction 6

104_Techniques of body knowledge

406_Physical theater 407_Practice of free creation

211_Introduction systems 3 212_Introduction systems 4

310_Interpretation systems 5 Daulte 408_Interpretation systems 7/Daulte Hearing

106_Singing laboratory 208_Scenic singing 2 314_Scenic singing 3

208_Scenic singing 2 314_Scenic singing 3

104_Techniques of body knowledge

111_Introduction systems 1 310_Introduction systems 5

411_Interpretation of songs 3 / Audition

209_Practical practices 3

215_Interpretation of 1 songs 216_Learn music 2 315_Interpretation of 2 songs

301_Theatrical production

215_Interpretation of 1 songs 315_Interpretation of 2 songs

311_Interpretation systems 6 Daulte 408_Interpretation systems 7 Daulte audition

404_Applied dramaturgy TFG

311_Interpretation systems 6 Daulte 408_Interpretation systems 7 Daulte audition

311_Interpretation systems 6 Daulte 408_Interpretation systems 7 Daulte audition

105_Scenic singing 1 208_Scenic singing 2 314_Scenic singing 3 317_2 vocal technique

404_Applied dramaturgy TFG 422_TFG_Interpretation

105_Scenic singing 1

111_Introduction systems 1 112_Introduction systems 2 213_Oral expression and diction 3 214_Oral expression and diction 4 312_Oral expression and diction 5 408_Interpretation systems 7 Hearing 411_Interpretation of songs 3 Audition

107_Learn music 1 316_Learn music 3 401_Pedagogy of the theater

214_Oral expression and diction 4 312_Oral expression and diction 5

101_History of the performing arts 1 103_History and theory of dramatic literature 2 303_Dramaturgical analysis_Beckett

307_Body training 4

221_Direction of actors 2 404_Applied dramaturgy TFG 422_TFG_Interpretation

111_Introduction systems 1 112_Introduction systems 2 308_5 staging practices 309_Practical practices 6 310_Introduction systems 5 311_Introduction systems 6

101_History and theory of dramatic literature 1 202_Theory of the show and communication 1 203_Theory of the show and communication 2

407_Practice of free creation

112_Introduction systems 2 219_Interpretation in front of the camera 2

402_Makeup 403_Video

201_History of the performing arts 2 302_Dramaturgical analysis Shakespeare

318_Interpretation in front of the camera 3

Cookies Policy

Third party content

306_Body training
407_Practice of free creation

204_History and theory of dramatic literature 3
205_History and theory of dramatic literature 4
210_Practical practices 4
Shakespeare 's Dramatic Analysis

105_Scenic singing 1
208_Cant individual 2
217_2 vocal technique
314_Scenic singing 3

101_History of the performing arts 1
122_Learn music 1

109_Practical practices 1
110_Practical practices 2
201_History of the performing arts 2

Erasmus_Camera practice 1
Erasmus_Acting for camera
Erasmus_Staging and theater directing

108_1 vocal technique
313_Oral expression and diction 6
401_Pedagogy of the theater

404_Applied dramaturgy TFG
422_TFG_Interpretation

208_Scenic singing 2
314_Scenic singing 3

405_Scene rating and direction
408_Introduction systems 7
410_Casting and videobook

211_Introduction systems 3
212_Introduction systems 4

206_Body training 1
207_Body training 2

113_Oral expression 1
114_Oral expression 2
213_Oral expression and diction 3
214_Oral expression and diction 4

213_Oral expression and diction 3
409_Oral expression and diction 7

106_Singing laboratory
315_Interpretation of 2 songs
408_Interpretation systems 7/Hearing
411_Interpretation of songs 3/Audition

211_Introduction systems 3
212_Introduction systems 4

218_Interpretation in front of the camera 1
310_Introduction systems 5
311_Introduction systems 6
319_Interpretation in front of the camera 4
320_1 Camera Practitioner
410_Casting and videobook
412_2 Camera Practitioner

406_Physical theater
407_Practice of free creation

211_Introduction systems 3
212_Introduction systems 4

310_Interpretation systems 5 Daulte
408_Interpretation systems 7/Daulte Hearing

106_Singing laboratory
208_Scenic singing 2
314_Scenic singing 3

208_Scenic singing 2
314_Scenic singing 3

111_Introduction systems 1
310_Introduction systems 5

215_Interpretation of 1 songs
216_Learn music 2
315_Interpretation of 2 songs

215_Interpretation of 1 songs
315_Interpretation of 2 songs

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

311_Interpretation systems 6 Daulte
408_Interpretation systems 7 Daulte audition

105_Scenic singing 1
208_Scenic singing 2
314_Scenic singing 3
317_2 vocal technique

404_Applied dramaturgy TFG
422_TFG_Interpretation

111_Introduction systems 1
112_Introduction systems 2
213_Oral expression and diction 3
214_Oral expression and diction 4
312_Oral expression and diction 5
408_Interpretation systems 7 Hearing
411_Interpretation of songs 3 Audition

107_Learn music 1
316_Learn music 3
401_Pedagogy of the theater

214_Oral expression and diction 4
312_Oral expression and diction 5

101_History of the performing arts 1
103_History and theory of dramatic literature 2
303_Dramaturgical analysis_Beckett

221_Direction of actors 2
404_Applied dramaturgy TFG
422_TFG_Interpretation

111_Introduction systems 1
112_Introduction systems 2
308_5 staging practices
309_Practical practices 6
310_Introduction systems 5
311_Introduction systems 6

101_History and theory of dramatic literature 1
202_Theory of the show and communication 1
203_Theory of the show and communication 2

112_Introduction systems 2
219_Interpretation in front of the camera 2

402_Makeup
403_Video

201_History of the performing arts 2
302_Dramaturgical analysis Shakespeare