Intensive courses

OBJECTIVE

Introduction to the fundamental concepts that come into play when writing a theatrical text. The participants will write from specific exercises and from different materials that will serve as a stimulus. Let's start from the notion of character to raise some questions that will work as a trigger: what is the voice of the character and the one of the person who writes? How do we build a peripedy? How do we walk the action? How do we resonate a fictional voice in relation to certain current affairs? How do we relate to writing creatively to invent situations with a theatrical meaning?

You can study performing a dramatized reading of fragments if applicable.

SCHEDULE

From 17 from September to 17 from December of 2019

• Tuesdays from 15h to 18h

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Ricard Gázquez

Graduate in Hispanic Philology and Doctor of Performing Arts. Artistic director of the Aula de Teatre de la UAB and professor at the Institut del Teatre and in the ERAM of the UdG. Among the texts that he has written and directed include: Glásnost (2018) The Virtual Mountain (2014) The Diluted Language (2013) Folie in famille (2007) Niederungen (Armchair Prize for the best small format show 2002). As a researcher, he has focused on the new theatrical trends of the 21st century. He is the author of the book: Autoficciones: poéticas de la experiencia. Interdisciplinary creators in Spain (2000-2014), 2016.

More info at: ricardgazquez.wordpress.com

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