Exhibition of Final Master's Theses

Tuesday, June 18, 2024 | 11.30 a.m Classroom: Pina Bausch | c. Casp 82

11.30am From the mother of Mireia Federico

What happens when the "perfect life" falls apart?

Performers: Júlia Turu, Clara Solé and Abel Bonet
Pianist: Laura Roselló

12 o'clock The gates of Hell by Marc Marín

Journey to hell with a rock band!

Performers: Marc Marín and Marta Rodríguez

12.30:XNUMX p.m. At sea by Pere Péries

Musical drama in three acts in two parts, set in 1892 in a small fishing community on the Catalan coast, where the characters will face an essential dilemma: To love, or to love, also means to let go.

Performers:
Teresa: Mariona Pallach
Andrew: Albert Gràcia
Manco: Tomás Maxé
Nitu: Marc Carcassonne
Sea: Patrícia Paisal
Pianist: Miquel González
Book, music and lyrics by Pere Pèries

13 p.m. Esteve Roig's Decidere

What decisions have you had to make in the past to bring you to this precise moment?

Performers:
Carme: Núria Llausí
Jordi: Abel Bonet
Pep: Marc Carcassonne
Alex: Esteve Roig
Pianist: Roser Gelis

Teaching team

Jordi Cornudella_Professorate_Eòlia

Musician, music director and composer

Oscar Peñarroya. Music and Singing_Teaching_Eòlia

Musician, music director and composer

David Pinto Head of the Musical Theater department

stage manager

Joan Vives Musician, music director and composer_Professorate_Eòlia

Musician, music director and composer

Subjects

Theoretical journey through the evolution of the genre. The historical context goes hand in hand with the artistic contributions of the genre. The historical context marks the evolution of the arts.

Study of the evolution of the genre from its origins to the present day, delving into the structure-skeleton that supports each analyzed work. Special attention is paid to the elaboration of the dramaturgy that will make up the master's thesis.

Study and analysis of the most representative composers of musical theatre. Research, systematization and practice of musical style and song type. Contributions and innovations.

Study of the mechanisms of song lyrics in musical theatre. Analysis of letter structures. Types of songs and their function within the musical. Spotting the songs. Analysis of the structure of classical musical theatre. Rhetorical figures.

Composition exercises based on models from different periods. Transcription of specific fragments to be able to break down, study and modify to enhance creativity. Construction of melodies following the model of various composers.

Analysis of the form and construction of a song and its function within a show. Adaptation of interpretation taking into account context, time and style. Work on songs from a practical side to understand how to help a performer achieve professional excellence. Transversal subject where the way to stage a song is considered from different perspectives (interpretation, music and direction).

Panoramic view of the technologies involved in the current contemporary scene, where different languages ​​are hybridized.

Masterclasses taught by professionals linked to the world of production, the stage, councillorship, composition, direction and management of theaters and equipment. Development of a journal of the acquired knowledge, with the monitoring of a tutor.

Presentation of the basic production lines of a musical. We work from the pre-production phase until the beginning of the materialization of the idea.

Elaboration of the libretto and the score of a creative musical. Through working groups, the performers, directors and playwrights prepare the libretto and the lyrics of the songs. Instrumentalists and composers build the musical structure. Presentation of the creation in dramatized reading format. The whole process is supervised by a tutor.

Masterclasses

Musical theater in Catalonia

with Antoni Font-Mir

Wednesday, November 29, 2023
From 11am to 13pm at the Eòlia Theatre

Catalonia has a long and unknown history of musical theatre. Most books specializing in musical theater tell the story from the American point of view. Here we will explain it from our reality, we will explain what the books do not yet say, the history of musical theater in Catalonia.

The relationship between the material and the performer

with Nina

Wednesday, January 10, 2024
From 11am to 13pm at the Eòlia Theatre

Understanding that the actor is a mere channel through which texts and music pass, is the great favor we can do the material and the author. And to the public.

The recipe for success: teamwork

with Àngel Llàcer and Manu Guix

Wednesday, January 17, 2024
From 11am to 13pm at the Eòlia Theatre

Talk about their professional career in musical theatre, the first projects they did together and will sing songs from "Què, the new musical", "Geronimo Stilton, the Musical of the Kingdom of Fantasy" and "The Little Prince" .

The production of the great musicals

with Jordi Sellas

Wednesday, March 20, 2024
From 11am to 13pm at the Eòlia Theatre

Talk about his professional career in the production of large-format musical theater and the current and future of musical theater in Catalonia as a cultural industry.

Jordi Sellas has been the driving force behind the musicals produced by Nostromo Live: "La jaula de las locas", "La tienda de los horrores", "Cantando bajo la lluvia" and "The Producers".

He is currently the director of the IDEAL Digital Arts Center. He was the promoter of the musical "Next to normal Immersive" with Alice Ripley.

Hybridization of languages: choreography and music

with Ariadna Peya and Andreu Gallén

Wednesday, April 17, 2024
From 11am to 13pm at the Eòlia Theatre

Finding the right size so that the music supports the movement and vice versa is a meticulous job that Andreu Gallén and Ariadna Peya have managed to systematize.

The two creators will talk to us about the difficulties they have encountered when developing a shared language through their latest creation "L'alegría que passa".

Dagoll Dagom, a success story

with Anna Rosa Cisquella

Wednesday, May 29, 2024
From 11am to 13pm at the Eòlia Theatre

We will review the group's history and discover the secrets of the management of a company that has given a new dimension to the musical theater of Catalonia.

Anna Rosa Ciscella. She joined the Dagoll Dagom company in 1977 as an actress. From the year 1985 he left the interpretation to focus on technical matters, dramaturgy of shows and production of the company's projects. She has been the general coordinator of the company 3XTR3S (formed by Anexa, Dagoll Dagom and Tricicle), which has managed theaters such as Poliorama and Victòria. She has been president of the Association of Professional Theater Companies of Catalonia and vice-president of the State Federation of Theater and Dance Companies.

New Master's edition

Access the contents of the new edition through the following link: