Master in Musical Theater Creation

Master in Musical Theater Creation2026-06-17T11:00:11+02:00

MASTER'S DEGREE IN MUSICAL THEATRE CREATION 2024-2025

El Music Workshop i EOLIA Superior Center for Dramatic Art, join in a collaboration agreement to create the Master in Musical Theater Creation. The degree offers performers, composers, directors and playwrights the opportunity to deepen the tools that interrelate music and theater and to understand the theoretical and structural mechanisms of the genre. It has a teaching team made up of active professionals specializing in the subject.

The Master's can be taken in whole or in part.

Own title

Objectives

El Master in Musical Theater Creation aims to provide students who enroll with specialized tools for the creation and performance of original and home-produced musicals, and to promote cooperation between professionals.

It is a university-level master's degree where you deepen the essential knowledge to write a musical, with eminently practical subjects. In addition, it enriches and complements the students' abilities and skills in order to enhance their creativity, expression and interpretation.

The master's degree provides the necessary pedagogical structure in order to investigate the field of musical theater in theoretical depth; prepare, produce and create shows of this genre; expand contemporary artistic, academic and technical training; and the approach in the use of new technologies applied to the scene.

In the Master's in Musical Theater Creation, the genre is analyzed from a historical point of view in order to understand the aesthetic decisions that were made when creating the great works admired today. It also analyzes the sources of inspiration of the great masters, a fundamental exercise that helps students find their own genuine, personal and non-transferable way of doing things.

The structure of the master's degree is made up of weekly subjects (History of musical theatre, representative composers, workshop on song lyrics, the study of dramaturgy, pre-production of a musical, applied technology, composition and deconstruction of songs...) and, also a series of master classes given by active professionals: Antoni Font-Mir, Nina, Àngel Llàcer and Manu Guix, Jordi Sellas, Ariadna Peya and Andreu Gallén, Anna Rosa Cisquella, among others.

The Master in Music Theater Creationl has a specialized bibliography for consultation. The master's degree is a meeting point between professionals interested in the genre, a space for dialogue between creators and a place where we can improve our musical studies.

STUDENT PROFILE

Graduates of higher studies in music, drama, directing and acting and professors, teachers and professionals in the sector who wish to extend their training can access it. The personal interview will also assess any non-regulated training or experience.

TEACHERS

Screenwriter, project manager, journalist and writer

Musician, pianist, composer and musical director

Oscar Peñarroya. Music and Singing_Teaching_Eòlia

Musician, music director and composer

David Pinto Head of the Musical Theater department

stage manager

Joan Vives Musician, music director and composer_Professorate_Eòlia

Musician, music director and composer

CALENDAR

Course 2024-2025

Academic duration: 1 year, from October 8, 2024 to May 21, 2025

Class schedule: Tuesday from 9am to 14.15pm and Wednesday from 8.30am to 14.15pm
Masterclasses: They will be held on selected Thursdays, from 11am to 13pm

SUBJECTS

Theoretical journey through the evolution of the genre. The historical context goes hand in hand with the artistic contributions of the genre. The historical context marks the evolution of the arts.

Study of the evolution of the genre from its origins to the present day, delving into the structure-skeleton that supports each analyzed work. Special attention is paid to the elaboration of the dramaturgy that will make up the master's thesis.

Study and analysis of the most representative composers of musical theatre. Research, systematization and practice of musical style and song type. Contributions and innovations.

Study of the mechanisms of song lyrics in musical theatre. Analysis of letter structures. Types of songs and their function within the musical. Spotting the songs. Analysis of the structure of classical musical theatre. Rhetorical figures.

Composition exercises based on models from different periods. Transcription of specific fragments to be able to break down, study and modify to enhance creativity. Construction of melodies following the model of various composers.

Analysis of the form and construction of a song and its function within a show. Adaptation of interpretation taking into account context, time and style. Work on songs from a practical side to understand how to help a performer achieve professional excellence. Transversal subject where the way to stage a song is considered from different perspectives (interpretation, music and direction).

Panoramic view of the technologies involved in the current contemporary scene, where different languages ​​are hybridized.

Masterclasses taught by professionals linked to the world of production, the stage, councillorship, composition, direction and management of theaters and equipment. Development of a journal of the acquired knowledge, with the monitoring of a tutor.

Presentation of the basic production lines of a musical. We work from the pre-production phase until the beginning of the materialization of the idea.

Elaboration of the libretto and the score of a creative musical. Through working groups, the performers, directors and playwrights prepare the libretto and the lyrics of the songs. Instrumentalists and composers build the musical structure. Presentation of the creation in dramatized reading format. The whole process is supervised by a tutor.

ACADEMIC MANAGEMENT

COORDINATION

David Pintó Codinasaltas of Eolia CSAD

Toni Pagès of the Musician's Workshop

MASTER CLASSES

The voice of the characters

with Wendy LeBorgne

Thursday, October 24, 2024
From 11am to 13pm at the Musicians Workshop

The playwright proposes a character and the composer sculpts it on the score. What must be taken into account in order not to martyr the interpreters?

Understanding the science behind belting – what is happening physiologically? Where do you start with a beginning belter and how/when do you advance their technique?

Dr. Wendy LeBorgne is an in-demand voice pathologist, speaker, author and coach of vocal athletes on elite voices and impactful communication.

Master in Musical Theater Creation with Wendy Leborgne
Master in Musical Theater Creation with Roser Batalla

Translate a musical

with Roser Batalla

Thursday, November 21, 2024
From 11 a.m. to 13 p.m. at the Musicians' Workshop (Ash 24)

How do you make a musical sound like the original but in another language? Should you be faithful? Should it be literal? Should the real meaning be distorted to get closer to what the author really wanted to convey? Roser Batalla, translator and adapter of "Gypsy", "Company", "La jaula de las locas", "Sweeney Todd", "Chicago", "I love you, you're perfect, I'll change you", "A little night music ”, “Marry me a little” will tell us how he faces these great challenges and will tell us about his experience in the world of translation and adaptation.

Masterclass co-organized by EÒLIA Center Superior of Dramatic Art, the SGAE Foundation, through the Territorial Council of the SGAE in Catalonia, and Taller de Músics

Orchestration and its application in musical theater with Jordi Cornudella

Orchestration and its application in musical theatre

with Jordi Cornudella

Thursday, December 12, 2024
From 11 a.m. to 13 p.m. at the Musicians' Workshop (Ash 24)

Writing a song is complex. Counting on the complicity of an orchestrator will make us grow and improve our work. We can be great orchestrators of our work if we take into account a whole series of concepts.

It can be orchestrated even if we don't have an orchestra!

Masterclass co-organized by EÒLIA Center Superior of Dramatic Art, the SGAE Foundation, through the Territorial Council of the SGAE in Catalonia, and Taller de Músics

Ignacio Feijoo masterclass in the Master in Musical Theater Creation

Introduction to copyright

with Ignacio Feijoo

Thursday, January 23, 2025
From 11 a.m. to 13 p.m. at the Musicians' Workshop (Ash 24)

We will talk about musical theater rights and authorship, and we will take a small dive into the world of licensing and royalties from a legal perspective.

An overview of the intellectual property derived from the creation and interpretation of theatrical and musical works. What rights and obligations do we have and protect.

Masterclass co-organized by EÒLIA Center Superior of Dramatic Art, the SGAE Foundation, through the Territorial Council of the SGAE in Catalonia, and Taller de Músics

Albert Guinovart - Writing beautiful melodies (MASTER'S IN MUSICAL THEATER CREATION)

Write beautiful melodies

with Albert Guinovart

Thursday, February 20, 2025
From 11 a.m. to 13 p.m. at the Musicians' Workshop (Ash 24)

Conversation with the composer of the musicals "Mar i Cel", "Flor de nit" or "Scaramouche" among others where we will discover his system when composing and his way of dealing with the lyrics of a song.

Masterclass co-organized by EÒLIA Center Superior of Dramatic Art, the SGAE Foundation, through the Territorial Council of the SGAE in Catalonia, and Taller de Músics

MARC ROSICH-Photo Manuel Medir

The libretto and dramaturgy of the musical

with Marc Rosich

Thursday, April 10, 2025
From 10am to 12pm at the Musicians Workshop (Ash 24)

The musical theatre genre has its own nature and adapting to this medium involves a series of challenges that must be overcome.

Marc Rosich has adapted the book by The Beasts by Ramon Llull, L'alegria que passa by Santiago Rusiñol, The Infanticide by Víctor Català, among others, and will explain the keys to understanding how a masterpiece is transformed into a musical and what we must take into account to have a solid architecture that is a success.

REGISTRATION FOR THE 2024-25 academic year

Open registrations

From July 4 to October 3

Entities and centers with a discount: Eòlia CSAD, Taller de Músics, Theater Institute, AADPC, AMJM, ESMUC.

Facilities are offered in the payment of the registration with monthly installments of the fee.

PREVIOUS EDITION | COURSE 2023-2024

Access the contents of the previous edition through the following link:

MORE INFORMATION

Eòlia Superior Center of Dramatic Art (CSAD)
C/ Casp 82, ground floor
08010 Barcelona
t. 93 319 23 97
WhatsApp: + 34 601 613 737
eolia@eolia.cat

Workshop of Musicians Higher School of Musical Studies (ESEM)
C/ Segre, 24-32, 3rd floor
08030 Barcelona
t. 93 176 30 63
superior@tallerdemusics.com

FAQ Master's degree in musical theatre creation2026-07-26T22:32:09+02:00

From July 1, 2026, the Master in Musical Theater Creation of the CSAD Musicians and Aeolian Workshop is a official master's degree, verified by AQU Catalunya and authorized by Ministry of Education, Vocational Training and Sports of the Spanish State.

This means that it meets the legal and academic requirements to be part of the official university system.

In practice, this implies that:

  • It has official validity throughout Spain. The title is officially recognized.
  • It has passed an academic quality assessment process. In this case, the assessment was carried out by AQU Catalunya before its authorisation.
  • It allows access to doctoral studies, provided that the other academic requirements are met.
  • It is assessed in public examinations and competitions in accordance with applicable regulations, which does not always happen with the university's own master's degrees.
  • It is recognized within the European Higher Education Area (EHEA), which facilitates its recognition in other countries, in accordance with the regulations of each one of them.

Like most university master's degrees, it lasts one academic year, divided into two semesters.

Classes are taught three days a week: Tuesday, Wednesday and Thursday, in the morning.

This schedule is designed so that students can combine their studies with their professional activity.

No.

These are official postgraduate studies aimed at people with a university degree or equivalent in higher artistic education.

In addition to the academic requirements, professional experience related to the creation of musical theater will be assessed through a personalized interview, which will determine the suitability of each applicant.

Temps

Writing a musical requires many hours of dedication.

During the first semester you will acquire the theoretical and practical foundations to understand the history of musical theatre, learn about the most representative composers of the genre, structure the libretto of your musical, write song lyrics and understand the construction of melodies.

This learning involves a significant amount of independent work. Each week you will have to write lyrics, melodies, songs and develop the proposed exercises.

If you currently have little time to dedicate to the Master's degree, we recommend that you wait until you can fully commit to it.

It is not essential, but highly recommended.

The curriculum includes core subjects such as Representative composers of the genre i Composition, which work on concepts such as harmony, orchestration or modes.

If this content is completely unfamiliar to you, it is likely that you will have difficulty following some parts of the program.

The Master's degree is mainly aimed at qualified musicians, composers and musical theatre performers, so a basic musical training is assumed.

If you are a playwright, we may recommend that you take a course as a listener.

It is not essential, but it is very useful.

A significant part of the bibliography and work materials are not translated. During the course we will also watch shows and analyze song lyrics in their original language.

The Taller de Músics and Eòlia Centre Superior d'Art Dramàtic promote a Master's degree focused on the creation of musical theatre in Catalan.

It is not essential to speak Catalan, but it is important to know that classes are mainly taught in this language.

Yes.

It is possible to register as listener.

Listeners can attend the subjects ofHistory of musical theatre, Dramaturgy of the musical I, Lettering workshop I, Representative composers of the genre, Song direction and in master classes.

The subjects Composition and deconstruction 1 and 2 are reserved exclusively for students enrolled in the full Master's degree; as well as the Master Final Project.

In any case, registration as a listener does not give the right to obtain the official title.

It is highly recommended.

The academic level is demanding and higher education tends to provide the maturity necessary to better take advantage of the content.

As a listener you will be able to attend classes, but it will be the teaching staff who will decide to what extent you can participate in the activities.

On the tab Academic fees On this website you will find all the information about the price of ECTS credit and other matters of interest.

No.

The Master is 100% in-person, as established in its verification report authorized by the Ministry.

Only two subjects —History of musical theatre i Representative composers of the genre— they may occasionally offer some online content, but in-person attendance remains mandatory.

The Master's degree begins at the beginning of October and ends at the end of May.

Registration will remain open until fifteen days before the start of the course.

If you are interested in taking it, we recommend that you contact us as soon as possible.

The objective of the Master's is for each student to write a complete musical: a libretto accompanied by the song scores, ready to begin the pre-production process.

At the end of the course we organize a backer audition, a presentation before the evaluation panel to which we also invite professionals from the theatre production sector so that you can make your project known.

Since the Taller de Músics and Eòlia CSAD jointly promote this Master, their students regularly collaborate in these presentations.

Each student has a thirty minutes to present their project and show the most representative songs and/or scenes. Don't worry: in the subject Song direction We will help you prepare this presentation.