Image of a person sitting on the floor with their legs spread, wearing a red and green plaid jumpsuit, a mustard shirt, yellow diamond socks and shoes, holding a glass of red wine.

December 4, 2025.

EÓLIA EMERGING SCENE 2025

Trapped as every day in the same bar, three girls share the frustrated desires that run through them. Despite the understanding and compassion that ends up appearing between them for the first time after having shared their longings, they are unable to leave the lazy circle to which they are drawn. Frustration has become their routine and, to try to appease it, they drink and complain in vain. How to get out of this? Made in a hybrid key, the piece aims to be an ironic and poetic ode to the small moments that pass us by, but that we are not always open and available to grasp.

Laziness it is a piece hybrid which is intended to be a declaration of intent of The Little One and company. The bet is that of a visceral theater that, having drunk of the strangeness of everyday life through the gesture of companies such as DV8 and Peeping Tom, aims to approach magical realism on stage through physical, visual and performative languages. Dance, objects as well as the importance of sound and light will make Desidia a visual poem full of images and different points of view capable of opening new cracks in reality and that I think are needed in our social and artistic context.

ADDRESS NOTE

As Byung-Chul Han said, we live in the society of "optimism", a society that does nothing but make us believe that effort and ambition will lead us to success and the conquest of happiness. Faced with the failure of this expectation, apathy appears, a passion that has settled over time and that takes the form of chronic dissatisfaction. This encysted sensation keeps us stuck in those things that we cannot accomplish and causes desire to blur and dilute in such a way that we end up conforming and softening to our context that we inhabit today by inertia.
To truly desire again in the face of an overstimulating world that makes it so difficult for us is a daily struggle. Often this dormant drive of desire is closer than we think, but conformity blinds us from seeing it. That it may bloom again may happen so that we can express it, however small, to everyone around us.

December 4 and 5, 2025

At 20h.

ROOM: Sant Martí Auditorium
DURATION: 75 minuts
PUBLIC: + 16
GENRE: Hybrid Scene
LANGUAGE: Catalan

For the performance on December 4, reserve your ticket by sending an email to produccio@eolia.cat

Dramaturgy and direction: Sara Q. Pipó
Management Assistant: Lili Molina Martínez/Amanda Her
Interpretation: Georgina Balart, Marta Codina, Zaida Lloveras
Sound design: Ernest Pipó
Scenography: Cesc Colomina
Lighting: Silvia Valls
Changing room: Elena Baliarda
Photographs: Gemma Almenara
Internship assistant (Erasmus Young Entrepreneur): Fien Vandermeersch

Acknowledgments: To all the people who have trusted my idea from its inception and who have seen me fall in love with it, fall out of love with it and fall in love with it again. Thank you for being there, without you all this would have no meaning. I admire and love you: Ernest, Cesc, Sílvia and Marta C.

Also to those who have come later to fill my fears and anxieties with light and vitality. Thank you for trusting and joining in all the time: Zaida, Georgina, Lili, Elena, Amanda, Fien and Gemma.

To Marta Tirado for always putting all my heart into it and helping me go further.

To my parents who always give everything, always and everywhere. You are wonderful.

To Berta, because she is always there and, please, may she always be there.

To Sara S, Judit and Marta M. for always listening to me with love.

To the Unió de Sant Cugat, the Nau Ivanow, the CC Sant Martí and the Auditori Sant Martí who have opened their doors to us and made available the resources to create this story. Thanks also to those who put their bodies and creativity into all these spaces: Aida, Sandra and Maria.

And thanks to Eòlia for continuing to make me believe that live arts are an act of resistance in the face of an increasingly individualistic and digital world. How good that theater is still a space where we can meet in person to share and get to know each other a little better. And how good that from my privilege I can try to dedicate myself to it.

A production ofAeolian Emerging Scene 2025