Assistant management is a profession that is not normally taught and is a very important figure. We will talk about rehearsal preparation, calendars, planning, communication with management and other departments, entrance to the room and assembly. We will raise various issues or situations that we may encounter within the assistant.
From 9 January to 13 of March of 2023
9-01, 16-01, 23-01, 30-01, 6-02, 13-02, 20-02, 27-02, 6-03, 13-03*
Monday from 18:30 to 21:XNUMX
Course hours: 25h
Price: € 250 / 200 € students from Eolia
*February 6 and 13 are practical sessions at Teatre Lliure for the staging of "Tots eren fills meus" in the Sala gran
Assistant management is a job that no one has ever taught me and I have always missed this first apprenticeship before entering a job without knowing exactly what my role was. When I'm asked what I do as an assistant, I always say, "I need to know everything that's going on."
This course was born from the desire to share my experience on assistant management, after 12 years of working in this profession and knowing assemblies and directions of all kinds, in order to give a first base of knowledge to all those people who have an interest in the profession, and want to get closer to the experience of being an assistant director. We will talk about rehearsal preparation, calendars and planning, communication with management and other departments, room entry and assembly, and we will raise various issues or situations that we may encounter within the help.
We will divide the course into the various phases that an assistant director has to face in an assembly:
- Pre-essays (What will we do and what will we need?): Planning, how to read a text, how to analyze the elements in order to make a first forecast of needs, creative team meetings. Table work phase.
- Plan a rehearsal forecast based on scenes, characters, play length, etc.
- Exhibition of the different departments of the theatrical assembly and first situations that we could find before the rehearsals.
- The essays: Practical phase. The roles within an essay. The art departments.
- How do I communicate with the director? What do you need from me?
- Entrance to the hall: The elements and concepts of entrance to the hall and the assembly.
- We are going to see a montage that is being done during July in Barcelona
Texts from which we will work: Night of the Kings (Shakespeare), Falsestuff (Nao Albet and Marcel Borràs), The Boy in the Last Row (Juan Mayorga), Angels in America (Tony Kushner), Crime and Punishment (Dostoevsky), among others.
Anna Serrano
Director and creator. Graduate in Audiovisual Communication from UPF. He has trained in directing and dramaturgy in Aeolian and the Beckett Hall. Coordinator and artistic advisor of ELS MALNASCUTS, and co-founder of the VVAA collective, where she co-directs “LIKE SI LLORAS” (Sala Beckett, Volsbühne, La Pedrera), “WOHNWAGEN” (La Seca 2017 / Teatro Español within the ZIP Festival Nuevas tendencias ), “POOL (NO WATER)” (Fira Tàrrega 2017 / Sala Beckett 2018), “THIS IS REAL LOVE” (Sala Beckett and Teatre Lliure in 2019) and “ARCAS 2020” (Teatre Lliure and Teatros del Canal 2022). She has been the creator and director of the En Residencia 2018/19 project of the Teatre Lliure and currently of the ESCENA PILOT project, of the same theater. He has worked as an assistant theater and dance director in numerous productions such as “Falsestuff” by Nao Albet and Marcel Borràs (TNC 2018), “Angels in America”, dir. David Selvas (Teatre Lliure 2018), “El chico de la última fila”, dir. Andrés Lima (Sala Beckett 2019, and CDN 2020), “Europa Bull” dir. Jordi Oriol (TNC 2019 and 2022), “Requiem nocturn” dir. Pere Faura (Mercat de les Flors 2020/21), “Crime and punishment” dir.Pau Carrió (Teatre Lliure, 2022), among others.