Acting coaching course for singers

A piece and a concertante

INTELLIGIBILITY and EXPRESSIVENESS will be worked on. MUSIC IS THE LETTER. The general sense of what is meant, prosody, diction, accentuation as the first step for a correct musical interpretation. We will unblock GEST and ENERGY, we will identify gestural "tics" and tension deficits or surpluses. We will work on the HUB/ENERGY duality in the interpretation. We will look for the CONFLICT of the piece and develop its dramaturgy.

Work will be done on the comprehension of the text, the dramaturgy, the historical context of the creation, the emotional journey, the expressive technical support and the reception strategies of the pieces chosen by the student.

The course will have the Masterclass format. Each active student enrolled in the whole course will work at least 4 times before others during the course days in a stipulated timetable. There will also be shared sessions for concertantes work that will be distributed according to the sessions contracted. It is important to attend the maximum hours of the course while the other students work, in order to better understand the work that is being done.

Active students will need to prepare a solo and a memory concertante in Catalan, Spanish, French, Italian or English in order to work comfortably and freely.

The chosen pieces must be communicated fifteen days before the beginning of the course to the organization in order to make them known in advance to the pianist and the teachers. Each student will also work with a coordinator who will decide the coordination of the course a few days before.

The course includes a rehearsal with the pianist of the pieces that will be worked on during the course, at a time to be specified before the start. The selection of singers and fragments of the final concert will be a decision of the teacher.

The course reserves the right to add the necessary concert players, while making some singer work more if the smooth functioning of the course requires it.

DATES AND SCHEDULES
Pending new dates
Friday 21st from 12pm to 14pm and from 16pm to 19.30pm
Saturday 22nd from 11am to 14pm and from 16pm to 19pm
Sunday 23 from 11am to 14pm and at 16.30pm concert rehearsal and at 18.30pm concert at Espai 11
Schedule of individual sessions adapted to the student's availability, throughout the course days.
PRICES:
Full course: 350 €
Partial course: € 270
Listener prices: 90 € (complete) - 35 € (1 day) - 20 € (half day)
REGISTRATION:
In this link www.eolia.cat/inscripcions
Coordination: Anna Feu
Pianist: Akiko Nomoto and Viviana Salisi

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JOAN LLUÍS BOZZO

He became interested in theater as a teenager, playing small roles for Els Pastorets in the "Lluïsos de Gràcia" in Barcelona.

At the age of 17, he started directing his own shows and later entered the Autonomous University of Barcelona, where he studied Catalan Philology.

In 1971 he founded the "theatre commune" with which he toured all the towns of Catalonia doing street theatre.

In 1973 he joined the professional world with the company of Pau Garsaball, as assistant director of the Berenàveu project in the dark of JM Benet i Jornet.
A few years later he gained great public success by directing Les Troianes de Eurípides-Sartre with a semiprofessional group he himself formed at the University. Later he worked as an actor in various theatrical productions and also on television.

In early 1978 he joined Dagoll Dagom, where he participated as an actor and member of the team in Antaviana, La nit de Sant Joan i Glups! Later he was in charge of directing the company's shows: The Mikado, Sea and Sky, Night Flower, I Love You, My Pygmalion, The Pirates, Cacao, Poe, La Perritxola, the Sea and Sky Repositions and The Mikado; as well as the television series Oh, Europe !, Oh, Spain !, The memory of the snails, and Psycho-express, which participated in the production of the script and at the same time co-starred. He has recently directed two seasons of the La Sagrada Familia series for TV3.

He has also directed other shows such as Sin words, by Pepe Rubianes, The shop of horrors, Quartetto da cinque, Estrips, The altarpiece of the flautist and Maror for the Dramatic Center of the Generalitat; and the operas Don Pasquale, by Donizetti, The Year of Grace, by A. Sardà, and Rigoletto by Verdi.

He has also directed the libertine and the musicals Boscos Endins, Aloma, Cop de Rock, La Familia Irreal, MAR I CEL, SCARAMOUCHE and MAREMAR, which is currently being performed at the Poliorama Theater in Barcelona.

He is the author of the book Comic tribe and the play Comic Life and the volumes of memories: Memories found in a van, Journey to the center of the musical and Pepe and I and The Office of the Comedian.

DAVID PINTÓ AND CODINASALTAS

Graduated in acting at the Institut del teatre, the first piece he directed was the musical "John i Jen" by Andrew Lippa (which received two nominations for the butaca de Catalunya awards) in 2006.

He has also directed the monologue "Des de l'ombra" by Dan Rebellato, "Danny and Roberta" by John Patrick Shanley (Versus teatre de Barcelona), the staging of the mass concert "Flor de Nit" by Dagoll Dagom with music by 'Albert Guinovart in commemoration of the 13th anniversary of the digital publication teatralnet (Teatral Condal), the cabaret show "Live in Burlesque" (el molino), the musical "Over the Moon" at the Almeria theater in Barcelona, "Bandalismes ” with Lloll Bertran and the Municipal Band of Barcelona at the Teatre Grec and two micromusicals he has written with Marc Sambola “Campamentos” and “Si quieres dulce no pidas calamares”.
He has also written the musicals "Mares i Filles" and "Homes foscos" with Clara Peya (El Maldà), "Sherlock Holmes and the club of red hair" with Xavier Torras (Jove teatre Regina) and "A la burgesa" with Dani Campos (Academia theater).

He has been assistant director of "Súper3, el musical", "Mar i Cel" and "Scaramouche" of the company Dagoll Dagom directed by Joan Lluís Bozzo, "Magical

History Club" directed by Marc Crehuet, "73 reasons to leave you" directed by Elisenda Roca, "Cabaret" directed by Jaime Azpilicueta and "El Llibertí" directed by Joan Lluís Bozzo.

As an adapter of songs he signs the adaptations of the musicals "Adéu a Berlin" (Artenbrut), "Lady in the dark", "Kiss me, Kate", "Nine", "La comédia dels errors, the musical" and "Passing strange ” (Teatre Institute), from Jacques Brel’s songs from the show “Mon Brel” (Almería teatre), “Midsummer” (Tantarantana), from the children’s opera “The Cinderella” (Comediants/Gran Teatre del Liceu) , the cantata "L'orquestra dels animals" (Gran Teatre del Liceu production) and "El despertar de la primavera" (translation for which he won the Broadway World award for best adaptation).

Among his most recent works, the directorship of "Guido Contini's women" with Mariona Castillo, the directorship of the Open Days at the Gran Teatre del Liceu where he also wrote and directed the cantata "El Conte de Nadal" together with Albert Guinovart .